Christmas with You

 

Netflix's Christmas with You follows Angelina, a fading pop star struggling to stay relevant in the face of younger, trendier competition. Seeking refuge from the limelight and creative inspiration, she escapes to a small-town, leading to unexpected surprises and a shot at love.

The plot was super cute, heartwarming, and effortlessly gets you into the Christmas spirit. While there were moments of predictability and corniness that are typical of holiday rom-coms, overall Christmas with You managed to still keep me engaged. The themes of self-discovery, second chances, and the importance of embracing one's roots were prevalent throughout.

The cast breathes life into the story, showcasing genuine chemistry that makes their interactions believable and endearing. Freddie Prinze Jr.'s return to the big screen was impressive, adding a veteran charm to the ensemble. The diversity and authenticity shine through, with the intermingling of the Spanish language and Hispanic culture adding a refreshing layer to the narrative. The costumes are another highlight, adding vibrancy and personality to the characters. However, the soundtrack wasn’t quite on par with the rest of the film, feeling slightly generic and forgettable.

Overall, Christmas with You is a delightful surprise. It's funny, heartwarming, and offers a fresh perspective on the holiday genre. The quality elevated the film above its genre counterparts, making it more than just a fluffy holiday escape. With its charming cast and diverse representation this film is sure to put a smile on your face.

Aquaman and the Lost Kingdom

 

Aquaman and the Lost Kingdom is the sequel to 2018’s Aquaman. The film plunges us back into the fantastical underwater world of Atlantis for the last time, where Jason Momoa's charismatic Aquaman struggles balancing the responsibilities of being king, along with being a husband and father. When the vengeful Black Manta, reprised by Yahya Abdul-Mateen II, resurfaces with even more power than before, Aquaman must turn to former foes in order to save the world from irreversible destruction.

While the plot navigates familiar thematic territory I thought that it was still engaging. The film did a good job exploring themes of climate change, confronting and letting go of prejudices, family rivalries, and even forgiveness. The action sequences were fun, showcasing creative underwater battles and thrilling escapes. There were also some clever homages to films like Star Wars, Iron Man, and Black Panther. However, the CGI still fell short of achieving real cinematic magic, occasionally making the aquatic world feel like a video game. Additionally, the script often veered into cheesy territory with kid-friendly jokes that missed their mark.

As for casting, I appreciated the diversity of the group and could see Momoa’s influence in the friends he brought on to the project like Game of Thrones actor Pilou Asbæk. With Momoa also co-writing the film, I could also see his own personality and hobbies intertwined in his character, even more than before. From the rings he wears to the beer he chugs. Even the use of the haka and the motorcycle he stunts on, it's clear his passion for Aquaman permeates the film. I was a bit disappointed that they had Amber Heard back as Mera. Her chemistry with Momoa wasn’t really there and overall her performance was pretty lackluster. And when she wasn’t boring she was overacting. One scene in particular both she and Momoa's overplaying was cringe worthy. Also cringy and distracting was Dolph Lundgren's many confusing hair colors.

One of the only highlights in the film was Randall Park's casting as Dr. Stephen Shin. He is one of the select few who have now crossed into both Marvel and DC universes. He played a man with a conflict of conscious who was just trying to do the right thing.  He was really likable in this role. My only issue was him being casted as "smartest scientist".  It felt a little like a tried trope to me. 

In the end, Aquaman and the Lost Kingdom is a fun adventure, notwithstanding some imperfections. It's not breaking any new ground in the superhero genre, but it delivered on its promise of action, entertainment, and a message about environmental responsibility. If you're looking for a lighthearted superhero escape with some familiar faces, dive in – but be prepared for some choppy waters along the way.

The Whale

 

Darren Aronofsky's The Whale plunges us into a week in the life of Charlie, an English teacher consumed by heartache and isolation that has translated into a severe binge eating disorder.

I thought that the plot was unique and engaging. Themes of mental health, grief, forgiveness, and the healing power of human connection form the backbone of the film. Aronofsky's signature visual style was present throughout, utilizing claustrophobic close-ups and suffocating interiors to immerse viewers in Charlie's emotional and physical prison. The film was heartbreakingly honest, refusing to shy away from the harsh realities of addiction, depression, and societal prejudice.

The casting was superb with Brendan Fraser at the helm delivering the best performance of his decades long career. It was no surprise that Fraser and the hair, makeup and prosthetics teams earned an Oscar. His a transformative performance as Charlie, both physically unrecognizable and deeply raw and nuanced in his emotional portrayal of a man drowning in regret and longing for redemption. He masterfully depicted the complex layers of Charlie's pain, weaving together his grief, the torment of self-loathing, and the flickering hope of reconciliation with his estranged teenage daughter, Elle played by Sadie Sink. Sink equally shined as Elle, a teenager grappling with abandonment and anger towards her father. Their strained relationship was one of the two emotional cores of the film, as Charlie desperately attempted to bridge the chasm between them. Hong Chau also deserved her recognition at the Oscars for her powerful performance as Liz, Charlie's fiercely loyal friend and caretaker. Liz was a beacon of compassion and rationality, constantly advocating for Charlie while also confronting his self-destructive tendencies. Her unwavering support offered a glimmer of hope in Charlie's otherwise bleak world.

While undeniably heartbreaking, The Whale ultimately left a lasting impression on me. It was a reminder of the enduring strength of the human spirit and the importance of facing our demons with compassion and understanding.

Reptile

 

Netflix's Reptile is a crime thriller starring Benicio Del Toro as Detective Tom Nichols, a man on the hunt for a killer. As Nichols delves deeper into the murky waters of the case, he uncovers a vast conspiracy that threatens his world and his sanity. But amidst the thrilling investigation, Nichols also grapples with remodeling his kitchen, adding a layer of relatable chaos to his pursuit of justice.

While the plot's originality might leave some wanting more, I appreciated the constant twists and turns that kept me glued to the screen. Director Grant Singer deliberately left some questions unanswered, inviting viewers to fill in the blanks and ponder the moral dilemmas presented, which I thought was an interesting choice. The themes of corruption, greed, and trust slither through every scene, forcing us to question who Nichols can truly rely on and how far he’d go to achieve his goals.

For me, the film's strength lied in its unpredictable characters. Singer aptly described them as "shedding skin," revealing hidden depths and blurring the lines between good and bad. Del Toro, as always, delivered a stellar performance. He embodied the weary detective with an obsession with his work, which sometimes bled into his personal life, creating a nuanced and believable character. His chemistry with Alicia Silverstone was a welcome highlight, adding genuine warmth to the cold blooded thriller. Silverstone shined as Judy Nichols, Tom's wife, showcasing a confident and complex portrayal beyond her usual roles. Justin Timberlake’s occasional overacting was a bit distracting, but overall he did well stepping out of his comfort zone as the slippery Will Grady. The supporting cast also held their own, with Domenick Lombardozzi excelling in his familiar tough-guy role and Michael Pitt offering a chillingly different side from his Boardwalk Empire days.

Overall, Reptile was a gripping and thought-provoking suspense thriller that keeps you guessing until the very end. While the story may not be entirely original, the strong performances, unpredictable characters, and exploration of complex moral questions make it a worthwhile watch.

Falling for Christmas

 

Falling for Christmas is a Netflix holiday rom-com that follows a spoiled heiress who gets amnesia after a skiing accident and ends up in the care of a handsome cabin owner and his daughter. Starring Lindsay Lohan and Chord Overstreet.

I thought that the plot was easy to follow, although predictable at times, and definitely had a Hallmark Christmas movie vibe to it. I also liked its connection to the other movies in the Netflix Christmas Movie Universe with the A Castle for Christmas Easter egg. Even with its lighthearted nature, Falling for Christmas managed to also tackle some surprisingly emotional themes. The film delved into grief and reminding us of the importance of letting go and embracing new beginnings. This added depth to the story and made the characters feel more relatable.

While the acting was generally decent, the over-the-top makeup and costumes for Lohan, who played Sierra Belmont, in the beginning was a bit over the top. Other than that she shined in her return to the spotlight, leading us on a heartwarming journey of love, loss, and remembering what truly matters during the holidays. She delivered a charming performance, reminding us of her comedic timing and vulnerability that made her a star in the early 2000s. She embodied the transformation from a self-absorbed heiress to a grounded woman with surprising ease. The supporting cast was equally endearing, with Chord Overstreet bringing warmth and humor to the role of the cabin owner.

Overall, Falling for Christmas ticked all the boxes for a classic holiday rom-com, offering a sweet treat that delivers on its promise of holiday cheer. It's a perfect watch for anyone looking for a lighthearted escape into a world of love, laughter, and Christmas magic.

Killers of the Flower Moon

Martin Scorsese's Killers of the Flower Moon is a gripping and poignant true crime drama that delves into a dark chapter in American history. Starring Leonardo DiCaprio, Lily Gladstone and Robert De Niro, the film is set in 1920s Oklahoma and tells the compelling story of the Osage Nation targeted by greed and violence after oil is discovered on their land.

The plot masterfully explored themes of racial injustice, corruption, and the fight for truth, making the film relevant and thought-provoking. Gladstone, during her Variety's Power of Women speech and Vulture interview, emphasized the importance of avoiding the white savior trope when telling Indigenous stories. In this film, Scorsese honored her perspective, presenting a narrative where the Osage assert their agency and demand justice.

Scorsese's signature filmmaking style shined through meticulous period detail and masterful cinematography that created an immersive and unsettling atmosphere. However, some scenes felt unnecessarily drawn-out, making the film's runtime slightly longer than necessary.

The deliberate inclusion of a diverse and authentic cast, including the use of the Osage language, was commendable and added authenticity to the film. Leonardo DiCaprio delivered a captivating performance as Ernest Burkhart, a conflicted World War I veteran caught in a web of deceit. His portrayal of the character's internal struggle was convincing and added depth to the story. Lily Gladstone was equally impressive as Mollie Kyle, Ernest's wife. She embodied strength, resilience, and determination in her fight for justice, adding a crucial layer of humanity to the narrative.

Overall, despite a slightly long runtime, Killers of the Flower Moon was a gripping and well-crafted film that delivered a powerful message about the enduring spirit of a community facing adversity. Fans of historical dramas and true crime stories will find it a must-see.

Hot Girl Winter

 

Hot Girl Winter is a Tubi Original holiday comedy that offers a refreshing twist on the traditional Christmas movie formula. Starring Golden Brooks as Mrs. Claus, the film follows her as she embarks on a solo vacation to Miami after feeling neglected by Santa during the holiday season.

 

Golden Brooks was absolutely radiant and ageless in the role of Mrs. Claus, bringing her signature charm and charisma to the character. Schelle Purcell played her best friend Tamira. She brought the light hearted, comedic energy to the screen. The film also featured a beautiful and diverse cast, adding to its appeal.

 

While the film was clearly influenced by Hallmark-style holiday movies, it also managed to carve out its own unique identity. The Miami setting provided a welcome escape from the traditional snowy landscapes of Christmas movies, and the film's humor, while mostly corny did occasionally surprise with an edgy jab.

 

The film's twist on the Santa Claus mythology was also refreshing. Seeing a Black Santa Claus and Mrs. Claus was a welcome change of pace, and the film's exploration of second chances and self-discovery added depth to the story.

However, the film's low-budget feel was evident throughout. The production values were not as polished as those of bigger-budget films, and there were some awkward moments of overacting and poor script writing.

Despite these flaws, Hot Girl Winter was a lighthearted and cute holiday movie that offered a refreshing take on the genre. It's a great straight to video type movie that you will get you into the holiday spirit.

Bottoms

 

Bottoms is a satirical coming-of-age comedy that takes a no-holds-barred approach to exploring the absurdities of high school life. Directed by Emma Seligman, the film follows two unpopular best friends, PJ and Josie, who start a high school fight club to meet hot girls and lose their virginity. However, their plan backfires when some of the most popular students fully commit to the fight club idea and start beating each other up in the name of self-defense.

The film's strengths lie in its bold and original concept, its strong female voices, and its diverse cast. The female perspective felt more authentic because it was written by women who also directed, Emma Seligman, or starred, Rachel Sennott, in the film. The premise of two girls starting a fight club is certainly attention-grabbing, and the film's satirical tone allows it to poke fun at the tropes of both teen comedies and coming-of-age stories.

Sennott and Ayo Edebiri deliver captivating performances as PJ and Josie, bringing depth and humor to their characters. The film also features a strong supporting cast, including Ruby Cruz, Havana Rose Liu, Kaia Gerber, and Dagmara Domińczyk.

However, the film's over-the-top and excessive nature may not appeal to everyone. The use of blood and violence can be off-putting, and the film's raunchy humor may not land with all viewers. For me, it will be a film will need a repeat viewing to fully understand its purpose.

Even though it may be objectionable to some, one cannot deny that Bottoms is a bold and unapologetic film that offers a fresh perspective on the coming-of-age genre. Its themes of female empowerment and the absurdity of high school life are sure to resonate with certain audiences.

The Marvels

The Marvels is the action adventure comic book sequel to Captain Marvel (2019) and a continuation of the television miniseries Ms. Marvel (2022). Directed by Nia DaCosta, Marvel's youngest director and first-ever Black female director. Starring Brie Larson reprising the titular superhero, Carol Danvers, who finds herself grappling with the unintended consequences of her past actions. As she encounters a formidable adversary, her powers intertwine with those of two other extraordinary women: Monica Rambeau, played by Teyonah Parris, and Kamala Khan, portrayed by Iman Vellani. Together, they must learn to work together to restore order and save the universe.

This film was a captivating blend of action, adventure, and heartfelt storytelling. The action sequences were both creative and visually stunning, with vibrant colors and breathtaking special effects, showcasing the incredible powers of its characters. But what truly set The Marvels apart was its emphasis on character development.

I appreciated that The Marvels made a definitive effort in presenting a fully formed and diverse cast, reflecting the world we live in. It was refreshing to see a superhero film where women and people of color were not just sidekicks but central to the story. The film delved into the complex relationships between the three leading ladies and their adversary, Dar-Benn played by Zawe Ashton. The script did well in exploring their individual struggles and triumphs. Monica Rambeau and Dar-Benn had to grapple with grief and loss, while Kamala Khan stepped more firmly in her newfound identity as a superhero. And Carol Danvers had to confront the weight of her past actions and the responsibility that comes with her immense powers.

Director DaCosta masterfully weaved together the threads of these characters' stories, creating a cohesive and entertaining narrative that was heartfelt. The film explored themes of redemption, friendship, teamwork, and sacrifice, giving depth and emotional resonance to the action-packed sequences. The film also did a great job of filling in viewers who haven't seen Captain Marvel, WandaVision, or Ms. Marvel in a while, making it an enjoyable standalone experience for both newcomers and fans of the franchise. 

In the end, I found The Marvels to be an exhilarating journey through the cosmos, filled with action, humor, and heart. It is a must-see for fans of superhero films and action-packed adventures.

The Hunger Games: The Ballad of Songbirds and Snakes

 

The Hunger Games: The Ballad of Songbirds and Snakes is a prequel to the popular Hunger Games franchise, taking us back to the 10th Hunger Games, where an 18-year-old Coriolanus Snow is assigned to mentor Lucy Gray Baird, the female tribute from District 12. The film stars Rachel Zegler, Tom Blyth, and Viola Davis.

The plot was creative and engaging throughout. I also appreciated the film's numerous references to the original Hunger Games franchise. These references served as fun Easter eggs for fans of the series and helped to connect the prequel to the original story.

One of the film's biggest strengths was its diverse casting and acting. Zegler was outstanding as Lucy Gray Baird, fully transforming into the character. She captured Lucy's sensitivity, caring nature, leadership, and formidability. Her portrayal was truly remarkable, and her singing was beautiful. I didn't realize how extensive her musical range was as I was only familiar with her singing in Westside Story. Tom Blyth was also commendable as a young Coriolanus Snow. He masterfully portrayed the evolution of Snow from an innocent young man to a ruthless leader. His performance was believable and engaging. Viola Davis was perfectly cast as the diabolical villain Dr. Volumnia Gaul. She brought her signature intensity and gravitas to the role, making Gaul a truly formidable and menacing antagonist.

The film did rely on singing quite a bit, which might not appeal to everyone. However, I had to remember that singing was an important part of Lucy Gray's character and her story. It was, in a sense, like her superpower and allowed her to connect with people and express herself in a way she otherwise couldn't.

While the film was visually stunning and the acting is top-notch, it did feel a bit long at times and could have benefited from a slightly shorter runtime.

Overall, The Hunger Games: The Ballad of Songbirds and Snakes was a well-made and entertaining prequel that will appeal to fans of the original franchise. The open-ended nature of the story makes me excited for potential sequels. There are many different ways the sequels could go, so I’m hoping future films will come so we can see how the story unfolds in the years to come.

Old Dads

 

Old Dads is a Netflix comedy that follows Jack Kelly (Bill Burr) and his two best friends, Connor Brody (Bobby Cannavale) and Mike Richards (Bokeem Woodbine), as they struggle to adjust to life after selling their company. The film is written, directed, and produced by Burr.

In Burr's directorial debut, I thought that he put together a plot was easy to follow and entertaining. For me the film was a bit misleading though as it leant more toward drama than comedy. Unfortunately, despite Burr's comedic background, the jokes often fell flat and some of the scenarios felt over the top and unrealistic. Additionally, the Gen X vs. Millennial premise was not entirely new, but the film did a decent job of poking fun at both generations. 

I appreciated the diversity in casting and thought that everyone played well off of each other. Burr was entertaining and did a good job carrying the film as the lead. It was nice seeing Rachael Harris in a role that was different from her more well-known role in Suits. Her performance as the villainous Dr. Lois Schmieckel-Turner was enjoyable as she was able to bring a good amount of range to make her unlikeable. Overall though there were a lot of one dimensional characters. It would have been nice to see a deeper dive on the majority of the cast, especially the females.

In the end, Old Dads was a decent watch for a casual Netflix movie night. The film had its moments, but it ultimately failed to deliver on its comedic potential. Burr's directorial debut showed promise, but the film's humor and overall tone could have used some tweaks. 

Oppenheimer

 

Oppenheimer is a biographical drama about J. Robert Oppenheimer, the American scientist who played a key role in the development of the atomic bomb. The film was directed by Christopher Nolan and stared Cillian Murphy as Oppenheimer, Emily Blunt as his wife Kitty, and Robert Downey Jr. as Lewis Strauss, a government official who oversaw the Manhattan Project.

The film was interesting and suspenseful, and it explored a number of complex themes, such as the relationship between science and society, the ethics of developing weapons of mass destruction, and the personal toll that such work could take on the scientists involved.

One of the film's strengths was its cast. Murphy was excellent as Oppenheimer, capturing his intelligence, charisma, and inner turmoil with great nuance. Blunt was also superb as Kitty, a strong and supportive wife who was not afraid to challenge her husband or those who challenged him. Downey Jr. was also unrecognizable as Strauss, giving a transformative performance.

Even though the film was over three hours, it was generally well-paced and visually stunning. Nolan and his team created a truly immersive experience, with recreations of the Manhattan Project facilities and atomic bomb tests that are both awe-inspiring and terrifying. Ludwig Göransson's score perfectly captured the film's tone and atmosphere.

However, the film was not without its flaws. One of the biggest issues was the lack of diversity. The cast was overwhelming white and male, which was a missed opportunity to explore the contributions of scientists from different backgrounds to the Manhattan Project.

Overall, Oppenheimer was a thought-provoking and visually stunning film with a strong cast. However, its lack of diversity prevented it from being a truly great film.

Spider-Man: Across the Spider-Verse

 

Spider-Man: Across the Spider-Verse is the animated action adventure sequel to 2018s Spider-Man: Into the Spider-Verse. It follows Miles Morales as he embarks on an epic journey across the multiverse, where he meets a team of Spider-People from different realities. Together, they must face a new threat that could destroy the multiverse.

The film's cinematography was creative. The filmmakers used a variety of animation styles to create a truly unique and visually stunning experience. The film is also full of artsy embellishments and imagery.

The story was original and interesting, but the cliffhanger ending left something to be desired. It would have been nice to see the film complete its thought and resolve its conflicts without priming the audience for a sequel.

The script was well-written and the themes around friendship, responsibility, and the importance of embracing challenges were resonant and relatable.

The film also featured an even more diverse cast of characters than the original film, which was appreciated.

The soundtrack and score were also excellent, keeping the style of Spider-Man: Into the Spider-Verse which helped to add to the overall experience of the film.

In the end, Spider-Man: Across the Spider-Verse was an enjoyable and thought-provoking film. It was visually stunning and emotionally resonant taking the multiverse concept to new heights. It's a must-see for fans of the Spider-Man franchise and animation in general.

Expend4bles

 

Expend4bles is the fourth installment in The Expendables film series, following The Expendables 3 (2014). In this film the aging mercenaries team up with a new generation of soldiers to take down a ruthless arms dealer with his own private army.

The movie is a bit of a mixed bag. On the one hand, it had much better fight sequences and cinematography than the previous films. The action is brutal and exciting.

On the other hand, although the story was interesting with some decent twists, the script was corny, unrealistic, and full of cheesy dialogue. And during certain action sequences the CGI was painfully cheap and fake looking.

Regarding casting Sylvester Stallone stated that this would be his last film in the franchise which was made abundantly clear in how they focused the story more on Jason Statham's character, which I was okay with. I also liked that they finally had a film in the franchise where a woman took more of the lead. Megan Fox is good as Gina, a CIA operator and member of the Expendables. She was tough and capable, and held her own against the male cast members. However, Fox's character doesn't have much in the way of character development. The same was true of the rest of new cast members. Even though the character development wasn’t very strong I did appreciate that they added some additional diversity with Tony Jaa as Decha, a former member of the Expendables, Iko Uwais as Suarto Rahmat, a mercenary and the secondary antagonist, Jacob Scipio as Galan, a new member of the Expendables and son of former member Galgo., Levy Tran as Lash, a CIA operator and a new member of the Expendables and Curtis "50 Cent" Jackson as Easy Day, a new member of the Expendables.

Regarding the old guard, Dolph Lundgren and Randy Couture were back as Gunner Jensen and Toll Road, respectively. I liked the evolution of Gunner character. His wig was a mess but I did like the play on him getting older and needing glasses. They were both still fun to watch, but their characters had a lot of the same running jokes since the first movie. It was starting to feel a bit washed up. And Andy Garcia's character with the toothpick in every scene is a particularly odd choice.

In the end Expend4bles was a fun but forgettable action movie.

Expendables 3

 

Expendables 3 is an action adventure film that follows Barney Ross reprised by Sylvester Stallone as he assembles a new team of Expendables to take down Conrad Stonebanks played by Mel Gibson, a former Expendable who has become a ruthless arms dealer. The new team includes younger, more tech-savvy members like Luna played by Ronda Rousey and Thorn played by Glen Powell.

Similar to prior scripts it was loaded with a lot of self-deprecating jokes but not much substance. One of the film's biggest problems was its predictable plot. It's clear from the start how the film was going to end, and there were no real surprises along the way. Additionally, the film's use of Spanish-style music whenever Galgo, played by Antonio Banderas, was on screen was kind of offensive.

The film's action sequences were well-choreographed and exciting, but they were also gratuitous and over-the-top.

The film's makeup was terrible. The blood placement was inconsistent, and the wounds looked fake. However I did appreciate that the terrible mustache that Stallone rocked in The Expendables 2 was gone.

The casting once again proved to be a safe haven for actors who had fallen from grace with Mel Gibson and Wesley Snipes added to the ensemble. I didn't really feel like their casting was needed but I did appreciate how some of their prior indiscretions were also written into the script. As for the rest of the casting, Banderas was fun to watch as Galgo. He played a Croatian war veteran and former member of the Spanish Armed Forces. He was an expert sharpshooter who brought some levity to the overly serious, heavily testosterone infused cast. You could tell this was Ronda Rousey’s first movie. As Luna she was stiff and lacked any sort of range with her permanent pouty face. It was nice however just to see a leading woman who could take care of herself. Seeing Glen Powell as Thorn in one of his early performances was also interesting. You could see how much he’s grown from this performance to his more well-known performances in Top Gun: Maverick and Devotion. And Kellen Lutz as Smilee was also a surprise. This role wasn't a memorable nor did he bring as much charisma as he did in his breakout role from Twilight. 

In the end, The Expendables 3 was a mindless action movie that's only worth watching if you're a fan of the franchise. However, don't expect anything groundbreaking.

Expendables 2

 

The Expendables 2 is a 2012 action film directed by Simon West and written by Sylvester Stallone, David Agosto, and Ken Kaufman. It is the sequel to the 2010 film The Expendables and stars Stallone, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews, Liam Hemsworth, Jean-Claude Van Damme, Chuck Norris, and Bruce Willis. The film follows the Expendables, a team of aging mercenaries, hired to complete a mission that goes wrong, leading them into a conflict with a ruthless arms dealer.

The story was interesting however, the film's execution is poor. It was full of clichés and plot holes. The script was worse than the original. The dialogue at times was poorly written. The characters constantly crack jokes and one-liners, even in the middle of serious situations. This made the film feel cheesy and undermined the drama. Even though some of the lines were ill timed I did appreciate a couple of lines that were more self-deprecating or where they were in on the joke of how ridiculous it was that men in their late 50s and 60s were action heroes, which made it a bit more tolerable.

This casting was the first time I saw how Stallone or the director West, bring in a lot of actors who had once fallen from grace and are in a sense giving them a second chance (Jean-Claude Van Damme as Vilain, Chuck Norris as Booker). Neither of the characters however were very impressive or memorable. Additionally the cast makeup was lacking, especially the terrible mustache on Stallone.

The action sequences were often unrealistic and over-the-top. The last fight sequence in particular was unnecessary and the accompanied dialogue was painful.

In the end, The Expendables 2 was a disappointing sequel to the 2010 film. It suffered from a weak script, over-the-top action sequences, and some truly terrible dialogue. It is a film that is best avoided by all but the most die-hard fans of this franchise.

The Expendables

The Expendables, is an action adventure film directed by Sylvester Stallone. The film followed Barney Ross (Stallone) and his team of mercenaries who were hired to eliminate a ruthless dictator and a renegade CIA agent.

The story itself was rather predictable and lacked the twists and turns that would have made it truly engaging. The motivations of the characters were often unclear, and the plot relied heavily on clichés and stereotypes.

I was expecting more from the action scenes, with a talent like Jet Li on the roster, but he unfortunately couldn’t carry this flop on his own. It was a bit comical seeing Stallone trying to play a guy he’s no longer. The character he created was supposed to have a lot more athleticism than he actually had. At times it was painful watching him run. In general these scenes often felt repetitive and lacked the creativity and choreography that fans of the genre have come to expect.

The thought to bring together an ensemble cast of older action stars from the 80s, 90s and 2000s for a thrilling ride of explosions, gunfights, and one-liners was an interesting and inclusive idea. There were some moments of fun and nostalgia for fans of action cinema with Stallone and Dolph Lundgren, being able to bring a sense of gravitas to their roles. However, the film's over-reliance on testosterone and underdeveloped characters ultimately detracted from its potential. One of the film's most glaring flaws was its lack of strong female characters. The damsel-in-distress trope was overplayed, and the few female roles that did exist were largely one-dimensional. While the addition of actors like Jet Li and Terry Crews added some diversity to the cast, their roles were more caricatures than actual fully formed people. Down to the offensive name for Li’s character.

Ultimately, The Expendables is a film that is more style than substance. While the film's over-the-top action sequences are sure to please fans of the genre, it falls short in terms of character development, story, and female representation.

Dances with Wolves

 

Dances with Wolves, is a western directed by and starring Kevin Costner. Set against the backdrop of the American West, the film follows a disillusioned Civil War soldier who seeks solace among the Lakota Sioux tribe.

There was strong character development throughout. You really connect and want to root for the members of the tribe, especially Graham Greene who played Kicking Bird, Rodney A. Grant who played Wind In His Hair and Mary McDonnell who played Stands With A Fist. They were all fully formed and likeable characters. You also connect with the wolf, Two Socks, who symbolized the Sioux culture. Costner was a stand out. He gave a masterful portrayal of Lieutenant John Dunbar, a man haunted by the horrors of war, who finds a new purpose in embracing the Lakota way of life. As he learns their language, customs, and traditions, Dunbar develops a deep respect for their culture and forms lasting bonds with the tribe members.

The film's plot is a nice blend of action, humor, and poignant introspection. Despite its considerable runtime of over three hours, Dances with Wolves maintains a captivating pace, drawing viewers into Dunbar's transformative experiences.

This film came out over 30 years ago but still holds up visually. It masterfully captured the breathtaking landscapes of the Great Plains with sweeping cinematography and stunning natural light. The meticulous attention to detail in recreating the Lakota culture further enhances the film's authenticity and immersive quality.

One of the things I appreciated about Dances with Wolves is that it challenged conventional Hollywood narratives by presenting a nuanced portrayal of Native Americans, moving away from the stereotypical depictions that had long dominated the Western genre. The film celebrated the Lakota culture's rich traditions and spirituality, offering a profound exploration of cultural understanding.

At its core, Dances with Wolves takes viewers on an epic journey of self-discovery, cultural immersion, and the profound impact of human connection. Dunbar's journey serves as a testament to the transformative power of human connection and the ability to find peace amidst conflict and loss. It is a story of redemption and hope. In the end, the film's enduring legacy lies in its ability to inspire audiences to question their own perspectives and embrace the richness and diversity of human cultures.

The Equalizer 3

 

The Equalizer 3 is the final film in the action packed revenge thriller trilogy. It follows Robert McCall, a former government assassin, reprised by Denzel Washington, who now uses his skills to help those in need. This time around, McCall is living in Southern Italy, where he has found some peace and quiet. But when he discovers that his friends are under the control of local crime bosses, he must step in to protect them.

The film does a great job of balancing action, suspense, and drama. The action sequences are well-choreographed and exciting. Additionally, the film also features some nice twists and turns.

Washington is once again superb as McCall, he brings the intensity of the originals along with a sensitivity and kindness. He is supported by a strong cast that includes Dakota Fanning and Eugenio Mastrandrea. It was nice seeing the reunion of Fanning and Washington from the 2004 classic Man on Fire. It was also great to see Mastrandrea in a different role since his breakout in the Netflix drama miniseries From Scratch. They were both likable and had a descent amount of range.

One minor criticism is that McCall doesn't really face enough adversity in the film. He just blows through his enemies like they're nothing. Similar to those familiar with The Power Rangers tv show where the heroes easily defeat the Putties. It would have been nice to see him tested a bit more.

Overall, The Equalizer 3 is a great way to end the trilogy. It is a clever full-circle film that brings the franchise to a satisfying conclusion. It is well-made and entertaining with great acting and action sequences. I highly recommend it to fans of the previous films, as well as anyone who enjoys a good action thriller.

Barbie

 

Barbie is a fantasy comedy directed and co-written by Greta Gerwig. The film was inspired by the iconic Mattel fashion dolls featuring Margot Robbie as Barbie and Ryan Gosling as Ken. Together, they embark on a journey of self-discovery, triggered by an identity crisis. Joining the ensemble are America Ferrera, Kate McKinnon, Issa Rae, Rhea Perlman, and Will Ferrell.

The plot was unique and engaging. The film also took a fascinating peek into the history of the iconic doll. At its heart, Barbie granted permission to be one's authentic self, embracing the idea that you are never too old to play. This theme resonated deeply through America Ferrera's character, Gloria, a Mattel employee who was struggling connecting with her daughter.

This was a brilliant satire that highlighted the dangers of capitalism, with Ariana Greenblatt's character, Sasha, as a voice of reason who saw through consumerism and empty promises peddled by Mattel. Additionally, the film masterfully weaved strong feminist themes into its narrative, driving home the message that feminism isn't about supremacy but equality. Exposing how the patriarchal system harms everyone, regardless of gender. While also highlighting that a fully matriarchal world, where men are sidelined, isn't the answer either. Barbie also addressed mental health, explored women's empowerment, self-discovery, and embracing change. Notably, the film isn't anti-men; instead, it playfully involved them in the narrative by offering a dose of self-deprecating humor. 

I appreciated the intentional commitment to a diverse cast, although it would have been nice to have more of a robust character development among the supporting players. Margot Robbie was brilliant as the titular character, Barbie. She was bubbly, kind and likeable with the most beautiful costumes. Ryan Gosling delivered a standout performance as Ken, showcasing his deadpan comedic timing and versatility as an actor. Simu Liu added to the entertainment as Tourist Ken/Rival Ken, infusing charisma into the storyline. I also liked how this film uplifted its outcasts, played by Michael Cera as Allan and Kate McKinnon as Weird Barbie. They emerged as the truth-tellers whose journey aligned seamlessly with Gerwig's feminist vision, where the goal of equality is for everyone to bask in the sunshine of individuality.

In the end, Barbie offered a delightful blend of playfulness and thought-provoking themes. It reminded us that self-discovery and authenticity are worth celebrating, and that change is the only constant in life. With its talented cast and clever satire, this film served as a vibrant addition to the world of fantasy comedies.

Blue Beetle

Blue Beetle is a DC superhero film that introduces us to Jaime Reyes, a man granted extraordinary powers when an alien scarab selects him as its symbiotic host. Starring Xolo Maridueña, Bruna Marquezine, Adriana Barraza, Damián Alcázar, Raoul Max Trujillo, Susan Sarandon, and George Lopez.

The plot was easy to follow and the narrative dove into the important themes of the challenges faced by marginalized immigrants, the enduring power of familial love, and the resilience required in the face of inequality.

It's no secret that DC has faced challenges in producing superhero films outside of its iconic trinity of Batman, Superman, and Wonder Woman. Thus, I entered Blue Beetle with caution, for the sake of George Lopez.

One notable positive aspect was the film's commitment to diversity, offering representation with a Hispanic family and the intertwining of the Spanish language, which was a welcome addition to the superhero genre's tapestry.

The actors, despite grappling with a subpar script, managed to deliver performances that were entertaining. Lopez brought his signature humor to the film, providing moments of genuine hilarity, even though the mullet was an odd hairstyle choice. I was also pleasantly surprised by Adriana Barraza who played Nana. She was hilarious. Unfortunately, the humor often stands in stark contrast to the overall quality of the dialogue, which regrettably fell short of expectations.

Where this film dropped the ball for me the most though was in its action sequences. They felt uninspired and lacked the zing often expected in superhero films. The film's villain also a disappointment, with the corny costume and lackluster character development. Additionally, the CGI left much to be desired, and the technological gadgets used in the combat sequences failed to impress.

Although Blue Beetle faced challenges at the box office and encountered mixed reviews, I am still hopeful for its cast and concept. With improved writing and cinematography, this premise could potentially bring forth a compelling superhero story. It serves as a reminder that even in the face of adversity, the world of superhero cinema is ever-evolving, with room for diverse representation, growth and transformation. But for now, if you're in search of a bug-bitten hero narrative, it's hard to ignore the web-slinging charm of Spider-Man. 

Past Lives

Past Lives marks Celine Song's debut as a writer and director in this semi-autobiographical romantic drama. Starring Greta Lee, Teo Yoo, and John Magaro, the film traces the enduring connection between two childhood friends, spanning the course of 24 years, as they grapple with the intricate facets of love and destiny.

The film is inspired by real events from Song's life, which gives it a sense of validity. It unfolds as a slow burn with a profound exploration of identity and assimilation within the context of immigration. Notably, the film adeptly captures the multifaceted immigrant experience, delving into the countless challenges and emotions faced by those who leave their homeland for a new life. Through Nora's eyes, we witness the poignant truth that even when pursuing a brighter future, one inevitably grieves the life left behind. Moving to a completely different country often entails losing a part of oneself.

Central to the narrative is the Korean concept of "in-yun," meaning fate or destiny. Past Lives compellingly suggests that our lives are intricately connected, with threads of destiny binding us together in ways that transcend our comprehension.

Greta Lee, Teo Yoo, and John Magaro deliver stellar performances as Nora, Hae Sung, and Arthur, respectively. Their on-screen chemistry is palpable, and they skillfully convey an array of emotions, from love to sadness, and even jealousy. The intricate connection between Nora and Hae Sung, despite 24 years apart, serves as the film's emotional core. It's as if he represents her tether to her past life, the one she left behind when she embarked on her immigration journey to the United States.

The film's incorporation of the Korean language adds an additional layer of authenticity, fostering intimacy between the characters and enhancing the overall viewing experience.

Past Lives skillfully navigated the intricate emotions entangled with the immigrant experience. It was an intimate, well-crafted drama with complex characters and thought-provoking themes of identity and destiny. It was a poignant exploration of the human experience that is worth watching.

Sitting in Bars with Cake

 

Sitting in Bars with Cake is a dramedy based on the true story of best friends Corinne and Jane. Corinne, the more outgoing and life of the party, persuades her reserved friend Jane, a talented baker, to bring cakes to bars as a means to boost her confidence and meet potential partners. However, their adventure takes an unexpected turn when Corinne receives a life-altering diagnosis, putting their friendship to the test like never before.

Director Selma Vilhunen, does a great job of balancing the film's comedic and dramatic elements. While there are some genuinely funny moments, the movie also tackles challenging and emotional subjects with sensitivity and respect.

I appreciated the diversity of the cast. The characters were decently well formed so it was easy to connect to them. Yara Shahidi and Odessa A'zion gave outstanding performances as Jane and Corinne, respectively. Their on-screen chemistry was palpable, and they skillfully encapsulated the profound love and friendship that defined the core of this story. Additionally, the casting of Bette Midler proved to be a delightful surprise and a valuable addition to the ensemble, leaving a lasting impression with her memorable performance.

Sitting in Bars with Cake takes you on an emotional roller coaster, but at its heart was a cinematic gem that reminded us of the enduring power of human connections. It's a hopeful and uplifting narrative that is must-see for those who appreciate heartwarming true stories brought to life by exceptional acting.

Kelce

 

Kelce is a sports documentary that takes look at the life and career of Jason Kelce, center for the Philadelphia Eagles. The film highlights Kelce's 2022-23 season, which started with him having to make the difficult decision of whether or not to retire. The documentary gives viewers a behind-the-scenes look at Kelce's life, from his time on the field to his home life with his wife and children. It also explores Kelce's relationship with his brother, Travis, who plays tight end for the Kansas City Chiefs.

The film does a great job of capturing Jason Kelce's personality. To have to deal with the pressure of playing against his brother in the Super Bowl and then to lose the big game, was heartbreaking for me to watch. I was impressed by how Jason was able to handle that moment with such grace and professionalism. You could see how even during that difficult time he still managed to lift up others around him and encourage his kids to still be happy for his brother. Overall the documentary did a great job of showing how down-to-earth and genuine he was as a husband, father and teammate.

One of the highlights of the film is seeing Kelce interact with his family. His wife, Kylie, was the star of the show for me. She was so authentically Philadelphian with her strong personality and her unwavering support for Jason and their children who were adorable and full of personality.

In the end, the Kelce documentary was a well-made film and a must-see for fans of football, sports documentaries or just anyone looking for a heartwarming and inspiring story about a man who is more than just a football player.

John Wick: Chapter 4

 

John Wick: Chapter 4 is the fourth and final installment in Keanu Reeves' epic run as the formidable hitman, John Wick. This action-packed thriller keeps Wick on his toes as he's still gunning for his freedom, and the only way out is through The High Table. But, to get there he must go through a new nemesis with global adversaries that want to turn his longtime friends into fierce foes.

The plot was somewhat convoluted, and there are a few moments that stretched the limits of believability. One noticeable aspect, which I have brought up in the previous sequels, is seemingly endless array of enemies that Wick dispatches with uncanny ease. I reminds of the Putty Patrollers in the Power Rangers TV show. It's almost unreal how effortlessly he dispatches anonymous, highly trained assassins dressed head to toe in bulletproof gear. Some scenes even make you wonder if Wick has an infinite supply of ammunition at his disposal, making it feel a bit unrealistic.

With that being said, the film's action sequences are some of the best in this genera, and they are choreographed with a level of detail and precision that is truly impressive. Director Chad Stahelski, a former stuntman and coordinator, has created a franchise that is a visual showcase of ambitious fight sequences. His background in stunts is evident in the meticulous execution of each action scene, consistently pushing the boundaries of what's possible in the genre. The film excels in delivering inventive single shot combat sequences, featuring Wick's ingenious use of a variety of weapons, including a memorable scene involving nun chucks. These sequences provide a visceral and immersive experience, keeping viewers on the edge of their seats.

I have always appreciated the choice in having such a diverse cast in this franchise. And while Donnie Yen's inclusion in the cast is commendable, showcasing his acting prowess. I would have preferred casting someone who is actually blind for the role, adding a layer of authenticity to the character. Additionally, some of the supporting characters, like Mr. Nobody, are underdeveloped.

One recurring and endearing element of the franchise is the incorporation of dogs in each installment. They are a reminder of John Wick's humanity, and they add a touch of emotional depth to the film.

Overall, John Wick: Chapter 4 is a satisfying ending to the franchise. It was a well-made action movie with some great performances. Bringing back the high-octane action and intense combat fans have come to expect from the franchise. While it occasionally ventures into an unrealistic realm, it was still worth the watch. Additionally, the film's finale leaves audiences with an exciting opening for The Continental TV show, set to premiere on September 22nd, offering fans the promise of more action-packed adventures in the John Wick universe.

The Little Mermaid

The Little Mermaid is a live-action remake of the 1989 Disney animated classic drawing inspiration from Hans Christian Andersen's fairy tale of the same name. Starring Halle Bailey, Jonah Hauer-King, Daveed Diggs, Awkwafina, Javier Bardem and Melissa McCarthy. As the youngest daughter of King Triton, Ariel’s curiosity leads her to the surface, where she falls for the charming Prince Eric. Yet, Ariel's path to love and self-discovery takes an unexpected turn when she strikes a perilous deal with the malevolent sea witch, Ursula.

The film stays true to the original story while also making some notable changes that make it feel fresh and new. As noted by Collider's Ross Bonaime, it manages to "capture the magic of the original" while introducing significant alterations. One standout aspect of this adaptation is the strong female representation. Gone are the damsels in distress, replaced by fiercely independent women who forge their destinies without relying on the aid of a man. Ariel's sisters stepping into leadership roles instead of being mere singers, and Ariel taking a more confident role in asserting her agency provide fresh layers to the narrative.

For the majority of the film to be under water, it can be hard to truly depict that in a realistic way but I thought the cinematographer did a pretty good job of creating a colorful and visually stunning world under the sea.

What truly sets this 2023 version apart are its thoughtful themes that beautifully weave in important messages about trust, cultural open-mindedness, and the preservation of our oceans. These themes add depth to the story and resonate with modern audiences.

I appreciated the diverse casting all around, reflecting a more inclusive world. Halle Bailey embodied Ariel's naivety and innocence with authenticity, earning her place among the Disney princesses. Melissa McCarthy's Ursula proved to be a delightful surprise, showcasing her unexpected singing talent and acting range in a perfectly cast role.

While this new adaptation shines in many aspects, there are a few moments where it falls short. While The Little Mermaid delivered a kind-hearted King Eric, it raised eyebrows with its choice to have him rule over a primarily Black island. This decision, while it may have been well-intentioned, did feel somewhat off-putting to me. Additionally, Sebastian and Ariel's "Under The Sea" duet didn’t quite live up to expectations, however, the majority of the songs did manage to retain their charm, especially “Kiss the Girl”, offering a nostalgic journey through the classic soundtrack. 

In the end, The Little Mermaid offered a refreshing and enchanting take on a beloved classic. With its meaningful themes and an engaging cast it succeeded in capturing the essence of the original while adding a modern twist that was more inclusive and empowering for young girls and boys alike.

Unforgiven

 

Unforgiven is a classic Western directed by and starring Clint Eastwood, and co-starring Gene Hackman, Morgan Freeman, and Richard Harris. Set in the backdrop of Big Whiskey, Wyoming, the film unfolds as aging outlaw and killer William Munny (Clint Eastwood) reluctantly embarks on one last job after years of trying to leave his violent past behind.

The film explores themes of self-interest and morality, primarily through the intricate character dynamics of the main characters that are venturing to Wyoming to kill for money. It transcends the traditional Western narrative by delving deep into the moral implications of taking a life and the profound societal changes that occur when individuals are killed. As the director, Eastwood, shows how killing can be both physically and emotionally taxing, and he challenges the audience to consider the true cost of revenge. He also used the film's ominous rain as a symbolic way to create a sense of dread and foreboding. The rain also served as a reminder of the recurring nature of violence, and how it can lead to more violence.

While Unforgiven is undoubtedly a standout in the '90s Western genre, it is not without its flaws. The film's attempt at diversifying the cast, were weak, falling short, with an Indigenous character, Sally Two Trees played by Cherrilene Cardinal, lacking lines and backstory. And additionally, Morgan Freeman's character, Ned Logan, while likable with redemptive qualities, also had gaps in his backstory, thus making it hard to fully connect to his character. Hackman on the other hand was particularly memorable as the sadistic sheriff Little Bill Daggett, who represented the dark side of the Old West and thus was able to secure the Best Supporting Actor Academy Award for his portrayal of a man committed to imposing law and order in a controversial manner.

In the midst of a Western resurgence during the '90s, Unforgiven carved its own unique path with themes that are still relevant today. While this may be the go to cult classic for some, I personally prefer Tombstone, which was released the following year.

You Are So Not Invited to My Bat Mitzvah

 

You Are So Not Invited to My Bat Mitzvah is a coming-of-age comedy drawing its inspiration from the 2005 novel of the same name. Directed by up-and-comer Sammi Cohen and starring Idina Menzel, Adam Sandler, Jackie Sandler, Sadie Sandler, and Sunny Sandler. The film follows Stacy (played by Sunny) and Lydia, best friends who've always dreamed about having epic bat mitzvahs. However, their plans take an unexpected turn as the challenges of middle school drama and the allure of popularity test their friendship and the significance of their rite of passage.

Adam Sandler has been making a lot of great producer choices in his recent ventures, and this film is no exception. I like that he made the decision to have this female-lead story directed by and written by women. The plot moved well and was easy to follow, and the script was funny and relatable. It did a great job of balancing humor and drama. There were plenty of laugh-out-loud moments, but the film also did not shy away from addressing some of the challenges that Jewish teens face as well as more universal issues, such as peer pressure and bullying. The themes of goodness, friendship, and forgiveness were also handled well.

I really enjoyed seeing the diversity of the cast and the development of the lead characters was well-executed, making it effortless for me to connect emotionally with their journey. The film notably reunited Adam Sandler and Idina Menzel from the acclaimed film Uncut Gems. Their on-screen chemistry was palpable, presenting an ideal parental dynamic. Their likability shined through, as Stacy and Lydia's parents, with Sandler's trademark charm and comedic timing enhancing his role. The involvement of Sandler's real-life daughters playing, his children, Stacy and Lydia, added to the film's familial atmosphere, and was refreshing to see actors genuinely representing their character's age groups.

Beyond its comedic surface, You Are So Not Invited to My Bat Mitzvah also provided an intimate glimpse into the richness of Jewish culture and community. The film contrasts with historical narratives by showcasing a contemporary and joyful portrayal of Jewish life, contributing to a more diverse representation of this culture on screen. Director Sammi Cohen encapsulates the essence of the film aptly, describing it as an exploration of self-discovery and personal identity. She rightly identifies it as a quintessential Jewish experience while also being universally relatable. The film became a celebratory platform to highlight shared human traits, fostering connections and unity instead of emphasizing differences.

In the end, it was refreshing to see a present-day, joyful version of Jewish culture, rather than the historical persecution that is often portrayed in film and television. You Are So Not Invited to My Bat Mitzvah was a heartwarming comedy that captured the essence of growing up, friendship, and cultural celebration. With its endearing cast, well-crafted script, and inclusive approach, the film is a testament to the power of storytelling to bridge gaps and illuminate common ground. A film that will appeal to audiences of all ages and one I highly recommend.

Heart of Stone

 

Heart of Stone is a Netflix produced action spy thriller centered around Rachel Stone (Gal Gadot), an unwavering secret agent in a mysterious global peacekeeping agency that must race against time to prevent a hacker from snatching their most precious and risky weapon. The film also features Jamie Dornan, Alia Bhatt, Sophie Okonedo, and Matthias Schweighöfer.

In the beginning the plot had an intriguing twist that immediately captured my attention however, as the story unfolded, it began to tread along more familiar paths, ultimately revealing a predictable trajectory. Additionally some of the dialogue was corny, but the overall narrative remained engaging and easy to follow. The film's story arc, although familiar, managed to still sustain my interest through its skillful blend of action, intrigue, and character dynamics.

A notable strength of the movie lied in its diverse casting choices, underlining a commitment to representation. Gal Gadot embodied the familiar charm that she has brought to many of her roles, portraying characters who are not only likable and stylish but also strong-willed and formidable. While she maintained her signature persona, her on-screen presence as Rachel Stone, remained magnetic, drawing viewers into her character's journey. She also had good chemistry with Jamie Dornan's character Parker, who made an intriguing and strong choice in portraying a character unlike anything I’ve seen him in before. Matthias Schweighöfer, known for his quirky tech expert role in Army of the Dead, switched gears slightly in his portrayal of Jack of Hearts, a more confident and less eccentric tech-savvy individual. Alia Bhatt, was a fresh face in the ensemble as Keya Dhawan. She impressed me with her role as a brilliant young individual driven by a desire for revenge, yet grappling with a crisis of conscience. Her performance injected the film with emotional complexity and an extra layer of intrigue to the storyline. My only critique is that I wish all of these characters had some added depth to improve the character dynamics.

In the end, Heart of Stone doesn't do anything special to redefine the genre, but it offered a solid entertainment experience. While it will not be a film that I would actively seek out for repeat viewings, it didn’t leave me feeling like my time was wasted.

The Last Kingdom: Seven Kings Must Die

 

The Last Kingdom: Seven Kings Must Die is a historical action adventure starring Alexander Dreymon, Harry Gilby, and Mark Rowley. Continuing from Season 5, after King Edward's death, rivals battle for the crown, prompting Uhtred and his loyal companions to strive for a united England.

Dedicated followers of the TV series, The Last Kingdom, will find satisfaction in this film installment. It effectively captured the essence of the show's narrative and retained the unique qualities that has garnered a dedicated fan base over the years. The plot was engaging and successfully sustained the tension and intrigue that this series has been known for.

I thought that it was a smart decision to conclude the story on Netflix. While the film certainly provided a compelling continuation, it lacked the grandeur and cinematic flair that would justify a theatrical release. However, within the realm of streaming, it found a fitting platform to reach its dedicated audience without compromising on quality.

The fight choreography, as well as the depiction of battle chaos and the suffocating intensity of combat, were standout features. The inclusion of numerous extras created an authentic battlefield ambiance that immersed me as a viewer into the heart of the action. The costumes also added to the authenticity of the era.

The acting across the board was commendable, contributing to the believability of the complex and dynamic characters. The ensemble cast effectively carried the weight of the story, helping me the stay engaged throughout the film's runtime. At the center of it all is Alexander Dreymon's portrayal of Uhtred. Over the course of eight years, Dreymon has masterfully embodied the heroic figure, a symbol of honor and courage. His portrayal is consistently enjoyable to watch, and he served as the anchor that holds the intricate narrative together. After his captivating portrayal of Uhtred, I eagerly await his ventures into new and uncharted territories. His ability to evolve beyond this iconic role will be an exciting prospect.

As The Last Kingdom: Seven Kings Must Die draws the curtains down on an era, it brings with it a sense of closure with a fitting conclusion to an eight-year journey. It was able to successfully wrap up loose ends and gave me a sense of fulfillment that most don’t get from TV shows or movies these days.

The Adam Project

The Adam Project is a science fiction action comedy starring Ryan Reynolds, Walker Scobell, Jennifer Garner, Zoe Saldaña and Mark Ruffalo. The story revolves around Adam Reed played by Reynolds, a fighter pilot from 2050 who accidentally crash-lands in the year 2022. In an attempt to change his time, he forms an unlikely partnership with his 12-year-old self, played by Scobell, to navigate through the challenges of the past while attempting to shape a brighter future.

Even though this film’s concept of time travel wasn’t unique, it still managed to carve its own identity through its engaging storytelling. The film's pacing kept me engaged with its mix of creative and action-packed fight sequences, comedic timing and crisp cinematography. The writers were able intertwine some great plot twits while also skillfully infusing the themes of family, grief, and healing that resonated deeply throughout.

Ryan Reynolds, known for his charismatic and witty performances, delivered once again, infusing Adam with his signature charm. His portrayal of a time-traveling pilot grappling with his past and future was a delightful blend of humor and heart. Reynolds' worked well opposite Scobell's Young Adam and also had great chemistry with Saldaña's Laura. For me Scobell was a standout. He was able to showcase his talent by holding his own alongside high-profile co-stars. His portrayal captured the insecurity, innocence and curiosity of youth, creating a believable and endearing dynamic between the two Adams. I enjoyed their character arc, being able to see the growth of these two Adams as they worked together, while also processing their mutual traumas. Jennifer Garner and Mark Ruffalo were the quintessential version of ideal parents. It was cute to see them interact with the Adams. My only criticism was that there wasn’t enough character deployment for Saldaña’s Laura. We got only a peek into the brilliant and fiercely independent scientist that she portrayed. It would have been nice to have delved deeper into her backstory.

In the end, The Adam Project pleasantly surprised me with its action packed and captivating plot. While I was on the fence at first, this heartwarming sci-fi adventure was worth the watch.