Dune: Part Two

 

Denis Villeneuve's Dune: Part Two is the long awaited sequel to 2021s Dune. Fueled by grief and a burning desire for justice, Paul Atreides seeks refuge with Chani and the Fremen, hoping to rebuild his life while plotting revenge against those who orchestrated his family's downfall.

The plot was epic, while spanning nearly three hours, it remained engaging and easy to follow, which was definitely a testament to the skilled filmmaking. The film delved deeper into the Harkonnen world, exploring themes of religious extremism, revenge, faith, love, and propaganda. It offered stunning visuals, thrilling action, and a deeper exploration of its complex world. Additionally, the filmmakers delivered satisfying callbacks to the first film, ensuring continuity for the returning audience. The only issues I had with the film was that it relied heavily on the "white savior" trope, which might leave some viewers uncomfortable, even if it adheres to the source material. Additionally, I felt that it failed to deliver a complete narrative arc, leaving the story open-ended for a potential third film. I would have preferred that they wrapped this up versus stretching it out for additional films.

The production design was undeniably top-notch. From the striking costumes and makeup to the breathtaking cinematography, the film immerses viewers in the unique world of Arrakis.

Zendaya's Chani emerged as the emotional core of the film. Her captivating performance, conveyed volumes through subtle expressions, solidified her place as one of the best actors of her generation. Austin Butler's portrayal of the villainous Feyd-Rautha Harkonnen was both surprising, terrifying and believable. Timothée Chalamet's Paul Atreides displayed significant growth, grappling with the burdens of leadership and the manipulative nature of power. While the diverse cast was appreciated, the development of the supporting Fremen characters, who were primarily minorities, could have been further explored.

Overall, Dune: Part Two was a visually stunning and action-packed sequel that expanded upon the world-building and character development established in its predecessor. Even with the reliance on a tired trope and limited character development for some of the Fremen, this film was still an enjoyable, well made sequel.

Priscilla

 

Sofia Coppola's Priscilla delves into the tumultuous relationship between Elvis Presley and Priscilla Presley, offering a unique perspective that challenges traditional narratives. Based on Priscilla's memoir, the film explores the complexities of their love story, highlighting the darker aspects often overshadowed in popular culture. Starring Cailee Spaeny as Priscilla and Jacob Elordi as Elvis.

The film tackled sensitive themes of grooming, isolation, and manipulation. It portrayed a young and impressionable Priscilla drawn into the world of a much older and powerful Elvis.

The film's production designers definitely hit the nail on the head with the hair, makeup, and costumes. They accurately depicted the era, immersing viewers in the world of 1960s and 70s America.

One of the film's most striking elements was its portrayal of Elvis as a more complex and flawed figure. The film shed light on how his substance abuse and controlling behavior impacted his relationship with Priscilla. While this perspective is undoubtedly controversial, it added depth and nuance to the often-romanticized image of Elvis.

However, the film's execution stumbled in certain areas. Elordi's portrayal of Elvis was hindered by an unconvincing Southern accent, detracting from the character's authenticity. On the other hand, Spaeny delivered a remarkable performance. She seamlessly portrayed Priscilla's evolution from a wide-eyed teenager to a woman finding her voice and strength.

Overall, Priscilla is a thought-provoking film that dared to challenge conventional narratives. While the film's execution was not flawless, it sparked important conversations and showcased a powerful performance from Cailee Spaeny.

The Sound of Music

 

The Sound of Music is the 1965 film adaptation of the Rodgers and Hammerstein musical telling the fictionalized story of Maria, a young woman sent by her convent to be a governess for seven children of strict and widowed Captain von Trapp in pre-WWII Austria.

The film's true strength was in its soundtrack. The songs were timeless classics that have resonated with audiences for generations. The quality of the singing was equally impressive, with Julie Andrews's voice soaring effortlessly as Maria. It's no wonder that many iconic musicians have sampled this film's music throughout the years.

The acting was pretty good throughout. Julie Andrews’ Maria and Christopher Plummer’s Captain Georg von Trapp had great chemistry. For me Andrews really stood out in her performance. She was incredibly likeable and full of life and spirit. Watching her youthful talent was a treat, especially for those who primarily associate her with later roles like Queen Clarisse in The Princess Diaries.

However, the film was not without its shortcomings. While the story is undeniably charming, it lacked diversity in its cast. Additionally, the film glossed over the complex realities of the political climate and societal issues of pre-war Austria, presenting a somewhat romanticized picture of the period.

In the end, The Sound of Music will always be a beloved classic. It offered a nostalgic escape with its beautiful music, vast landscapes and endearing story but, it's important to acknowledge the lack of diversity and the romanticized portrayal of a sensitive historical period.

American Fiction

American Fiction marks the directorial debut of Cord Jefferson, who also co-writes the screenplay with novelist Percival Everett. Leading the charge is Jeffrey Wright as Monk, a disillusioned scholar and novelist. Frustrated with the lack of authentic and nuanced Black stories, he hatches a daring plan. Under a pen name, he writes a stereotypical and exploitative Black crime novel, hoping to expose the industry's hypocrisy. The film then follows the novel's unexpected success and the chaos it unleashes in Monk's life.

Jefferson's script was sharp, witty, and cleverly used satire to take aim at the entertainment industry's problematic portrayal of Black narratives through a satirical lens. The film's humor was well-placed, balancing the heavier themes of representation and cultural appropriation with moments of genuine laughter.

I enjoyed the diversity of the cast and thought that the acting across the board is superb. Wright delivered a nuanced and captivating performance, capturing Monk's evolution from a more judgmental and ambitions character to a more understanding and empathic person. Tracee Ellis Ross, John Ortiz and Sterling K. Brown also offered strong supporting performances, adding depth and humor to the narrative. While these characters were pretty well-developed and engaging, it would have been nice to have also done the same for, Coraline played by Erika Alexander, who felt underutilized. Despite a captivating presence and undeniable talent, her character lacked the screen time and depth to fully flesh out her potential.

Overall, American Fiction is a bold and thought-provoking film. It uses humor and satire to spark important conversations about representation and the responsibility of creative storytellers. While some characters could have used more development, the film's strong performances, creative script, and sharp wit made it a worthwhile watch.

The Color Purple

 

The Color Purple is a musical drama adaptation of the beloved Broadway stage play based on Alice Walker's Pulitzer Prize-winning novel of the same name. The film follows Celie, a Black woman who endures hardships throughout her life, from forced separation from her sister to an abusive marriage.

This adaptation offered an alternative perspective compared to the 1985 film. While still acknowledging the harsh realities of Celie's experiences, the musical made it so that you didn’t have to see it to know it was happening, and instead emphasized the enduring spirit of resilience and sisterhood. The film also stood more firmly in its convictions concerning the representation of a same-sex relationship between Celie and Nettie. This portrayal allowed for a more authentic depiction of their deep bond and love for one another.

Themes of trauma, redemption, forgiveness, sisterhood, love, and friendship are woven throughout the story. The film tackled sensitive subjects head-on, sparking important conversations about societal challenges and the power of connection.

I particularly liked this films balanced use of music. Unlike some musicals where songs overwhelm the narrative, The Color Purple seamlessly integrated them into the story's flow. The musical numbers felt organic and helped to amplify the characters' journeys rather than interrupting them.

The cast delivered exceptional performances in both their acting and their singing. Fantasia Barrino brought depth and anguish to Celie's struggles, Danielle Brooks shined as the strong-willed Nettie and Taraji P. Henson’s captivating portrayal of the vibrant and confident Shug Avery added a burst of energy to the film.

Overall, The Color Purple is a powerful and uplifting film. It delivered a moving story enhanced by exceptional performances, captivating music, and important themes. While it may not be as heavy as its predecessor, it offers a beautiful and necessary portrayal of resilience, sisterhood, and the enduring strength of the human spirit.

I.S.S.

 

I.S.S. is a sci-fi thriller, taking us aboard the International Space Station as global conflict erupts on Earth. With tensions rising, the U.S. and Russian astronauts receive chilling orders: seize control of the station at all costs. Starring Ariana DeBose, Chris Messina, John Gallagher Jr., Masha Mashkova, Costa Ronin and Pilou Asbæk.

The plot was unique and engaging throughout. The film exceled in building suspense. The claustrophobic setting and the ever-present threat of external conflict created a constant edge-of-your-seat atmosphere. The script by Nick Shafir delivered some well-executed twists and turns, keeping you guessing until the very end.

The cast delivered strong performances. DeBose shined as the determined and brilliant American astronaut, Dr. Kira Foster. I also thought that Gallagher Jr. who played Christian Campbell and Asbæk who play Alexey Pulov offered really great nuanced portrayals of conflicted crewmates. The use of Russian throughout the film added authenticity and further immersed me in the international drama.

However, the film stumbled in a few areas. The cliffhanger ending, while potentially setting up an intriguing sequel, left me unsatisfied. Additionally, while the inclusion of a Afro-Latino female lead added a positive step, the overall casting could have benefited from more diversity to better reflect the international nature of the space station.

Overall, I.S.S. was a thrilling and suspenseful ride with strong performances and good use of the unique setting. However, the ending and lack of diverse representation held it back from reaching its full potential.

Anyone But You

Anyone But You is a romantic comedy that takes a classic Shakespearean tale, Much Ado About Nothing, and gives it a modern makeover. The film stars Sydney Sweeney and Glen Powell who play Bea and Ben, two quick-witted and competitive individuals who can't stand each other. But when a destination wedding throws them together, they pretend to be the perfect couple, leading to a whirlwind of hilarious situations and unexpected emotions.

The film shined thanks to its charismatic leads, Sweeney and Powell. Their undeniable chemistry sizzled on screen, making their characters' journey believable and entertaining. The supporting cast, including Alexandra Shipp, GaTa, and Michelle Hurd, added to the fun with their quirky personalities and comedic timing.

The script delivered plenty of laughs, peppered with witty dialogue and playful banter. While the plot may not break new ground, it's executed with enough charm and humor to keep you engaged and invested in the characters' journey. The film follows the typical rom-com beats which will be sure to please many, however those seeking a more innovative narrative might find it a tad stale.

I appreciated the diversity in the casting. They represented a refreshing range of ethnicities and backgrounds, reflecting the modern world we live in. This inclusivity added a welcome layer of authenticity and relatability to the story.

Overall, Anyone But You is a lighthearted and enjoyable rom-com that delivered on laughs, charm, and a diverse cast. It's a perfect pick-me-up for those looking for a predictable yet entertaining escape. Just be prepared for a familiar recipe with a fresh coat of paint.