Jeymes Samuel's The Book of Clarence is a 1st century Jerusalem comedy-drama, that follows the opportunistic Clarence, played by Lakeith Stanfield, as he exploits the rise of Jesus Christ for personal gain.
Samuel’s directorial style is undeniably distinctive and unconventional. There were times that I thought it was quite similar to Spike Lee's cinematography work. However, this aesthetic occasionally veered into the realm of the corny.
The juxtaposition of a contemporary hip-hop soundtrack with the ancient setting was a bold choice, but may alienate some. I thought it was a stylistic gamble that paid off in moments, but overall felt inconsistent.
The film’s all-Black cast was a refreshing departure from the typical portrayal of biblical figures. This casting choice felt more authentic to the narrative, given the African roots of the biblical story. Moreover, The Book of Clarence cleverly mirrored contemporary issues onto the ancient world. The depiction of police brutality and the systemic oppression of Black people was relevant and appreciated.
Despite its flaws, the film was rich in symbolism and offered food for thought. While the narrative occasionally faltered, the performances were strong, and the visuals were undeniably captivating. In the end, The Book of Clarence was cinematic experience that pushed boundaries. Whether it's a masterpiece or a misstep is up for debate and a matter of personal taste.
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