Frankenstein

 

Guillermo del Toro’s Frankenstein is a breathtaking Gothic science fiction masterpiece starring Oscar Isaac as the egotistical Victor Frankenstein whose obsession with mortality leads to his undoing with the creation of the Creature, played by Jacob Elordi.

The film was a visual marvel that felt like a natural evolution of his work on The Shape of Water. Defined by a dark Gothic setting, eccentric costumes, and a striking use of color, particularly deep reds that punctuate the gloom. Del Toro’s distinct directorial hand was evident in every frame, creating a world where pain and pleasure exist on a razor's edge.

The performances elevated the source material to new emotional heights. Jacob Elordi’s physicality was profound; he moved with the grace of a ballet dancer, conveying a deep, soulful sadness and agonizing pain with very little dialogue. Mia Goth provided a beautiful contrast as a quirky, innocent character who saw the good in others, hauntingly asking, "Of all the parts that make that man, which one holds its soul?" Meanwhile, Oscar Isaac perfectly captured the dangerous obsession of a scientist whose ego leads to catastrophic consequences.

Thematically, the film was rich and challenging, exploring the meaning of life and death, loneliness, and the cycle of defiance and forgiveness. It forced the audience to grapple with the "slave vs. master" dynamic and the uncomfortable reality that bullied people often become bullies themselves.

Ultimately, the film left me questioning the nature of humanity, reminding the audience that "only monsters play god" and making us wonder who the real monster truly is in this tragic tale of companionship and obsession.