Kraven the Hunter

 

In Sony's latest Marvel film, Kraven the Hunter, Aaron Taylor-Johnson stars as Sergei Kravinoff, also known as Kraven. The story explores Kraven's complicated relationship with his ruthless father, portrayed by Russell Crowe. This dynamic drives Kraven on a path of vengeance, pushing him to become the world's greatest hunter and one of its most feared figures.

Despite its intriguing premise, the film's execution falls short. The script is filled with corny dialogue, and the villains lack the necessary menace to be credible threats. The CGI, particularly in depicting the villain, fails to create a sense of realism that could have heightened the stakes. While the action sequences are creative and entertaining, they often feel disconnected from a cohesive storyline.

The soundtrack enhances the film's atmosphere but cannot compensate for the shortcomings in character development and plot coherence. Additionally, there is a notable lack of diversity in casting, with only Ariana DeBose representing a person of color. She performs well despite the limitations of her role. Although Taylor-Johnson is a talented actor, his portrayal in this film feels more like an opportunity to showcase his physique rather than an avenue for genuine acting depth. The film prioritizes visual appeal over substance, leaving viewers wanting more from the script. Furthermore, Crowe's inconsistent Russian accent distracts from his character rather than enhancing it.

Overall, while Kraven the Hunter offers moments of excitement and fun, it struggles to establish itself as a standout entry in Sony's Spider-Man Universe. The film may attract fans seeking action-packed entertainment, but it ultimately falls short in storytelling and character depth.

The Merry Gentlemen

 

The Merry Gentlemen is a charming holiday rom-com that fits snugly within the Netflix Christmas Cinematic Universe (NCCU). Directed by Peter Sullivan, this film stars Britt Robertson as Ashley, a former Broadway dancer who returns home only to discover that her parents' small-town nightclub is in trouble. The plot unfolds as Ashley decides to stage an all-male Christmas-themed revue, leading her to cross paths with Luke, played by Chad Michael Murray.

Robertson and Murray gave performances that were steady and reliable, staying within their comfort zones without pushing the boundaries of their acting range. While neither actor delivered a career-defining performance, their chemistry was palpable and provided a solid foundation for the film. The movie also featured clever nods to other films in the NCCU, enhancing its charm for fans of the genre.

Although the film adheres to the typical rom-com formula, complete with predictable plot twists, it succeeds in being an enjoyable distraction for viewers looking for lighthearted entertainment during the holiday season. With its festive spirit and easygoing narrative, The Merry Gentlemen is perfect for those wanting to unwind without much thought.

A Christmas Story

 

A Christmas Story, directed by Bob Clark and released in 1983, is a holiday classic that transports viewers to the 1940s through the eyes of young Ralphie Parker, played by Peter Billingsley. The film is based on the writings of Jean Shepherd, who also provides the narration of Ralphie's journey and singular obsession with securing a Red Ryder BB gun for Christmas.

The themes around the essence of childhood longing and family dynamics drive the narrative, as Ralphie navigates the challenges of convincing his parents, teacher, and even Santa Claus that the gift he wants is essential to his happiness. While the film is often celebrated for its charm and humor, it will not resonate with everyone. The heavy use of voiceover was distracting from the storytelling, as it felt excessive at times.  Additionally, about halfway through the film I could feel my interest waning from boredom, as the story wasn’t very engaging to me.

For a 1980s film I did appreciate seeing some diversity in the casting, even though they were primary background actors with no lines. As for the main cast, there were many moments where the performances were cringe worthy rather than comedic because of prevalent overacting.

Despite these shortcomings, I am aware that A Christmas Story holds a significant place in American culture as a beloved holiday staple. In 2012, it was preserved in the United States National Film Registry for its cultural and historical importance. The film's ability to evoke nostalgia through its soundtrack and memorable phrases resonated with many viewers; however, others may find that it doesn't age well and lacks the engaging quality they hoped for.

The Six Triple Eight

 

Tyler Perry's The Six Triple Eight highlights the true story of the 6888th Central Postal Directory Battalion, the only all-Black, all-female unit to serve overseas during World War II. The film portrays their strength and resilience against bigotry while showcasing the contributions of African American women to the war effort. Kerry Washington stars as Major Charity Adams, the first African American woman officer in the Women's Army Corps (WAC).

The casting was full of beautiful, uniquely different women of color. While Washington delivered a competent performance, I felt like she lacked the intensity expected from a pioneering leader facing significant racial and gender discrimination. Additionally, with such a large cast, some characters felt underdeveloped due to limited screen time. This detracted from the emotional impact of certain story arcs, leaving me wanting more depth from specific individuals.

The film effectively captured the women's camaraderie and their mission to process millions of pieces of backlogged mail, emphasizing their motto, "No mail, low morale." Even though the pacing was slow at first, as the story unfolded, it picked up momentum, ultimately drawing me in so that by the end, I was fully invested in their journey

In the end, The Six Triple Eight is an important film that sheds light on a neglected chapter of history, making it a valuable watch for both history enthusiasts and casual viewers. It offers a fresh perspective on World War II through the eyes of those who were historically erased.

It's a Wonderful Life

 

Frank Capra's It's a Wonderful Life is a 1946 holiday classic that explores profound themes of community, redemption, and the value of life. The film follows George Bailey, played by James Stewart, who sacrifices his dreams to support his family and community. On Christmas Eve, facing despair, he contemplates suicide, prompting the intervention of his guardian angel, Clarence.

While the story carried significant emotional weight and the film’s soundtrack effectively enhanced its emotional themes, Stewart's performance felt overly dramatic at times, detracting from the film's impact. The casting choices also raised eyebrows; Stewart, at 37, portrayed a character aging from 21 to 38, which was hard to accept. Additionally, the film featured only one Black character, depicted in a stereotypical role, highlighting its outdated approach to diversity.

The script contained corny moments and reflected antiquated views on gender and discipline—scenes involving physical aggression towards women and children felt jarring by todays standards. At 130 minutes, the pacing dragged at times, particularly in the first half.

In the end, while I can acknowledge that It's a Wonderful Life is a beloved classic for many due to its uplifting message about the interconnectedness of lives and the importance of kindness and community support, I also recognize that it may not resonate as well with today's audiences. For first-time viewers, the film's outdated themes and problematic elements make it less ideal, and it may not be worth revisiting for those familiar with more contemporary storytelling.

Carry-On

 

Carry-On is a Netflix-produced Christmas action thriller directed by Jaume Collet-Serra. The film stars Taron Egerton as Ethan Kopek, a TSA agent who finds himself blackmailed by a mysterious traveler, played by Jason Bateman. Set on Christmas Eve at Los Angeles International Airport, the plot revolves around Ethan being coerced into allowing a dangerous package to slip through security.

While the concept was engaging and set up a tense atmosphere, the storyline quickly became formulaic, with predictable twists that detracted from the suspense. The script often veered into unrealistic territory, leading to moments that felt frustratingly corny.

Despite its shortcomings in plot development, Carry-On featured a diverse cast that added some freshness to the holiday thriller genre. However, this diversity was overshadowed by insufficient character development across the board. The characters' arcs felt underexplored, which hindered audience investment in their stories.

In the end, Carry-On did not offer much in the non-traditional holiday movie category. Its predictable plot and lackluster character development ultimately hindered its potential to stand out in the genre. For viewers looking for depth alongside their thrills, this film may not have fully satisfied their cravings for a compelling Christmas narrative.

The Holiday

 

The Holiday is a Christmas romantic comedy directed by Nancy Meyers, featuring Kate Winslet and Cameron Diaz as Iris and Amanda, two women from different backgrounds seeking to escape heartbreak. They arrange a home exchange, with Iris moving from her quaint English village to a luxurious Los Angeles mansion, while Amanda experiences life in a picturesque English cottage.

Although there was a severe lack of diversity in casting, the film still managed to present well-developed characters that explore themes of love, self-discovery, and taking risks. Winslet delivered a poignant performance as Iris, while Diaz shined as the emotionally guarded Amanda. Their contrasting personalities created an engaging dynamic that propelled the story forward. Supporting roles by Jude Law and Jack Black added depth, with Law providing warmth as Graham, and Black portraying Miles, who helped Iris find joy again.

While The Holiday followed some familiar romantic comedy tropes and predictable moments, its heartfelt storytelling and relatable characters made it enjoyable. The film emphasized friendship and the importance of stepping outside one’s comfort zone. Hans Zimmer's score beautifully complemented the heartwarming narrative, enhancing the emotional moments without overshadowing the story.

Overall, The Holiday, which came out in 2006, held up well to today's standards. It combined romance, humor, and holiday spirit in a timeless way, making it a delightful film to revisit during the festive season.

Eyes Wide Shut

 

Eyes Wide Shut, Stanley Kubrick's final film released in 1999, is an erotic mystery starring Tom Cruise and Nicole Kidman as Dr. Bill and Alice Hartford. The film explores the psychological aftermath of Alice's confession about her sexual fantasies, which sends Bill on a surreal journey through New York City's sexual underworld.

The plot dove into the depths of human desire and marital discord. I felt like Bill's reaction to his wife's fantasy was illogical, but it did lead to the exploration of deeper themes of jealousy, trust, and the fragility of masculinity. The film's title aptly alluded to each characters' willful blindness to uncomfortable truths.

Contrary to expectations for a thriller, the soundtrack failed to enhance the film's suspense or mystery. Instead, it often felt disconnected from the on-screen action, missing opportunities to heighten the tension in key scenes.  

Nicole Kidman delivered a standout performance, bringing depth and complexity to her role as Alice. In contrast, Tom Cruise's portrayal of Bill was somewhat one-dimensional, reminiscent of his typical on-screen persona.

The film's treatment of sexuality, particularly its portrayal of women, was problematic by today's standards. The abundance of female nudity compared to the absence of male nudity felt gratuitous and unnecessary in several scenes, contributing to an overall sense of female objectification.

In the end, Eyes Wide Shut has not aged well and may be off-putting to modern audiences with its questionable portrayals. It was an unfortunate final entry in Kubrick's illustrious filmography.

Our Little Secret

Our Little Secret is a Netflix's holiday romantic comedy starring Lindsay Lohan as Avery. The story centers around Avery's first Christmas with her boyfriend's family, where unexpected encounters lead to humorous and heartfelt moments. The film captures the essence of the holiday spirit while exploring themes of love, past relationships, and personal growth.

The plot was engaging and easy to follow, adhering to the classic rom-com formula that many viewers know and love. While it was predictable at times, the film's warmth and humor make it a cozy watch for the holiday season. It thoughtfully addressed themes of grief and reconciliation, reminding audiences that sometimes happiness can be found in unexpected places. This emotional layer resonated particularly well during the holidays when family dynamics are often at play.

One of the film's strengths was its diverse cast, which added depth and relatability to the story. Lindsay Lohan's return to leading roles was a highlight of Our Little Secret. Her performance showcased her comedic talent and charisma, marking an exciting chapter in her career revival with Netflix. The ensemble cast, including Ian Harding, Kristin Chenoweth, and Tim Meadows, brought a dynamic energy to the screen, playing well off each other and enhancing the film's overall charm.

In the end, Our Little Secret may not reinvent the holiday rom-com genre, but it offers an enjoyable viewing experience filled with laughter and warmth.

Gladiator II

 

Gladiator II, stylized as GLADIIATOR, is the much-anticipated sequel to Ridley Scott's 2000 epic Gladiator. It follows Lucius, played by Paul Mescal, whose peaceful life in North Africa is shattered when General Acacius, played by Pedro Pascal, invades his home. Forced into slavery and the Colosseum, Lucius seeks revenge against Acacius with the help of Macrinus, played by Denzel Washington. As he fights for his freedom, he grapples with his royal heritage under the corrupt rule of twin emperors Geta and Caracalla.

While the film boasted impressive action sequences, it suffered from a lack of originality. The plot felt like a rehash of the original, relying heavily on nostalgia without offering new insights and very few surprises. The recycled visuals and soundtrack failed to evoke the emotional depth of Hans Zimmer's iconic score.

The film's cast diversity was commendable, showcasing women in strong leadership roles, although their character arcs were underdeveloped. Additionally Mescal struggled to match his performance to the strong performances from Pascal and Washington who managed to steal the show, even with a weak script and minimal character development.

Ultimately, GLADIIATOR felt like a missed opportunity, living in the shadow of its predecessor lacking the depth and emotional connection that made Gladiator a classic. It's a watchable but forgettable sequel that will leave viewers wanting more.

Love Actually

Love Actually is a 2003 Christmas romantic comedy that weaves together multiple storylines exploring different aspects of love. Directed by Richard Curtis, the film brings together an impressive ensemble cast of British actors, including Hugh Grant, Liam Neeson, Colin Firth, Emma Thompson, and Keira Knightley. Set in London, the story unfolds over five weeks leading up to Christmas, with an epilogue taking place in the New Year.

While the film had its charms, it was not without flaws. The soundtrack, though featuring popular songs of the time, sometimes felt oddly placed and forced, not always complementing the scenes effectively. The multitude of interconnected stories was, at times, overwhelming, causing confusion about character relationships and making it challenging to fully invest in any single narrative.

The abundance of plotlines also resulted in some characters appearing one-dimensional, making it difficult for me to form strong attachments or root for specific outcomes. The lack of diversity was also an issue. Chiwetel Ejiofor was the only person of color and had very little screen time. Additionally, certain story arcs left loose ends or didn't quite make sense, and some aspects of the humor, particularly the fat jokes, did not age well in today's cultural climate.

Despite these shortcomings, Love Actually did offer some enjoyable elements. The film showcased the talents of its star-studded cast, with standout performances from Emma Thompson and Hugh Grant. The inclusion of celebrity cameos also added a fun, lighthearted touch to the overall experience.

Love Actually has always been marketed as a popular Christmas movie that captures the spirit of love and connection during the holiday season. However, even with its occasional heartwarming moments and light comedy, I felt that the film’s flaws outweighed its happier moments. The convoluted plotlines, one-dimensional characters, lack of diversity and outdated humor left me feeling that it ultimately fell short of expectations.

Wicked

 

Jon M. Chu's film adaptation of Wicked transforms the beloved Broadway musical into a must see live action fairy tale. Set in the magical land of Oz, Elphaba, a misunderstood young woman with striking green skin, and Glinda, a popular and charming girl, forge an unlikely friendship at Shiz University. As they navigate their contrasting personalities and the challenges of their society, their bond deepens amidst the backdrop of power and discrimination. However, their friendship soon faces significant tests when they encounter the Wizard of Oz, setting the stage for a captivating exploration of friendship and self-discovery.

This film was a visually stunning and emotionally rich experience with a beautifully diverse cast. Cynthia Erivo delivered a phenomenal performance as Elphaba, capturing her journey from rejection to self-acceptance, while Ariana Grande shone as Glinda with her remarkable comedic timing and vocal prowess. Jonathan Bailey's Fiyero added depth to the story with his chemistry with both leads.

Chu's direction brought the musical numbers to life through breathtaking choreography and seamless transitions between songs and dialogue. The film's beautiful cinematography and elaborate set designs transported viewers to the enchanting world of Oz.

Wicked also offered powerful commentary on discrimination and political manipulation, making it relevant to contemporary audiences. While the film was lengthy, it remained a remarkable adaptation that honored its source material. With exceptional performances, stunning visuals, and thoughtful themes, Wicked is a must-see for fans of musical theater and cinema alike.

Beetlejuice Beetlejuice

 

Beetlejuice Beetlejuice is the long-awaited sequel to Tim Burton's 1988 cult classic that reunites Michael Keaton, Winona Ryder, and Catherine O'Hara, joined by Justin Theroux, Monica Bellucci, Jenna Ortega, and Willem Dafoe. Decades after the original, adult Lydia Deetz faces a family tragedy and returns to Winter River with her teenage daughter, Astrid. When Astrid accidentally opens a portal to the Afterlife, Beetlejuice's chaos threatens to return.

The sequel leaned heavily on nostalgia, offering numerous callbacks to the original film which captured the essence of its predecessor, but it struggled to bring fresh ideas to the table, leaving a strong desire for more originality.

Burton's direction maintained the visual flair and dark humor that made the original a success. However, the film's structure suffered from juggling two parallel plotlines. The main story focusing on Lydia and her family felt more cohesive, while the secondary plot involving Monica Bellucci's character Delores seemed underdeveloped and at times distracting from the core narrative.

One notable improvement in Burton's typical all White casting was the inclusion of Jenna Ortega, adding a touch of diversity to the ensemble. He also cleverly navigated the absence of Jeffrey Jones, who played Charles Deetz in the original film, by reimagining the character in creative ways which added an unexpected layer of humor to the sequel. However, the film stumbled in its representation, particularly in the Soul Train sequences, which featured predominantly Black dancers in a way that felt tokenistic rather than meaningful.

In the end, Beetlejuice Beetlejuice could not reach the heights of its predecessor. Fans of the original may find the nostalgia enjoyable but for me it didn't quite conjure the same magic that made the first film so memorable.

Joker: Folie à Deux

Joker: Folie à Deux, the highly anticipated sequel to the Oscar-winning 2019 Joker, continues the story of Arthur Fleck, now incarcerated at Arkham State Hospital. This psychological drama-musical follows Fleck as he grapples with his dual identity and forms a relationship with Harley Quinn.

Director Todd Phillips returned to helm this ambitious project, but the result was a marked departure from the original's tone and atmosphere. While the first film captivated audiences with its dark, gritty, and edgy portrayal of a broken society, Folie à Deux took a surprisingly lighter approach. Despite tackling serious themes such as abuse of power and mental health, the sequel lacked the tension and real-world feel that made its predecessor so compelling. The storytelling felt disjointed at times, with noticeable gaps that felt like a lack of full commitment from the writers and director.

Phillips' decision to transform the sequel into a musical was a bold risk that yielded mixed results. The reasoning behind this choice was understandable, but it created a stark contrast to the original film's tone. The musical numbers, while catchy and fitting for the 1970s setting, often felt oddly placed and overly long, disrupting the flow of the narrative.

Despite these shortcomings, the film had strong performances from its lead actors. Joaquin Phoenix and Lady Gaga demonstrated excellent chemistry. They had depth and nuance to their respective roles as Arthur Fleck and Harley Quinn but unfortunately no other cast members were memorable or fully development.

Visually, Folie à Deux did a nice job with its attention to detail in lighting and makeup. However, some creative choices, such as mixing men and women in the same prison, questioned the credibility of the film and further distanced the film from the grounded realism of its predecessor.

In the end, Joker: Folie à Deux was a bold but uneven sequel that struggled to recapture the magic of the original. While it offered strong performances and impressive visuals, its tonal shift and musical elements were divisive with a less cohesive experience than its predecessor.

Inside Out 2

Inside Out 2, is the highly anticipated sequel to Pixar's 2015 hit. It takes us back into the mind of Riley as she navigates intricate maze of adolescence that threatens to upend the delicate balance maintained by Joy, Sadness, Anger, Fear, and Disgust.

This animated coming-of-age dramatic comedy once again proves Pixar's mastery in storytelling, blending humor, heart, and profound insights into the human experience. The introduction of Anxiety, Envy, Embarrassment, and Ennui brought fresh challenges and hilarious complications to Riley's inner world.

The storytelling is engaging and relatable, capturing the essence of teenage struggles with remarkable accuracy in tackling complex themes with sensitivity and humor. At its core, Inside Out 2 explored themes of self-discovery, emotional complexity, and personal growth. It did a great job of emphasizing how our experiences shape who we become. It sends a powerful message about embracing one's true self and understanding that personal evolution is a natural and necessary part of growing up.

One of the film's strengths lied in its diverse cast of voice actors, which nicely reflected the on-screen characters. Returning favorites Amy Poehler, Phyllis Smith, and Lewis Black were joined by newcomers Maya Hawke, Kensington Tallman, and Ayo Edebiri, among others. This blend of familiar voices and fresh talent brought depth and nuance to the expanded emotional roster.

The visual artistry was stunning, with the animators outdoing themselves in bringing Riley's inner world to vibrant, colorful life.

In the end, Inside Out 2 was a heartwarming tear-jerker that was thought-provoking. It tackled the complexities of teenage emotions with Pixar's signature blend of humor and poignancy. It's a must-see for fans of the original, offering valuable lessons about self-acceptance, emotional growth, and the importance of embracing all aspects of oneself, both the joyful and the challenging.

Inside Out

Inside Out is an animated Pixar produced coming-of-age dramatic comedy. The story goes inside the mind of 11 year old Riley as she navigates the challenges of moving from the Midwest to San Francisco. The film's premise explores the inner workings of Riley's emotions - Joy, Fear, Anger, Disgust, and Sadness - as they grapple with a new city, house, and school.

The star-studded voice cast included Amy Poehler, Phyllis Smith, Richard Kind, Bill Hader, Lewis Black and Mindy Kaling. They did a great job in bringing these vibrant characters to life. They had depth and complexity which made them likeable and easy to root for.

As expected from a Pixar production, Inside Out tugged at the heartstrings while expertly tackling complex emotional themes like depression and mental health with sensitivity in a way that would resonate with children and adults alike. The exploration of the importance of all emotions working together, not just the positive ones, was one of this film's greatest strengths. This approach to emotional health offered valuable lessons for viewers of all ages. 

In the end, Inside Out was more than just a children's movie; it was a sophisticated exploration of the human psyche, a testament to Pixar's storytelling prowess. It offered a fresh perspective on the inherent difficulties of growing up, exploring what makes us uniquely ourselves. It's a film that offered a unique and memorable cinematic experience with its creative story and perfect balance of humor and heart that will cement its place as an innovative, modern animated classic.

Roman Holiday

Roman Holiday is a romantic comedy, released in 1953, directed by William Wyler. It is a story of a bored princess who escapes her royal duties for a day of adventure in Rome.

This charming film drew inspiration from the real-life romance between England's Princess Margaret and Group Captain Peter Townsend, a relationship that captured public fascination during the early 1950s. This connection added a layer of intrigue to the film, as it explored themes of love, duty, and personal freedom against a backdrop of royal expectations.

The film's greatest strength lied in its ability to balance comedy and drama seamlessly. The script did a great job in taking viewers on an emotional journey that was authentic and heartfelt. It was more than just a romantic comedy; it was a coming-of-age story.

Audrey Hepburn delivered a stunning performance in her American film debut as Princess Ann. Her portrayal was captivating, combining grace, wit, and vulnerability that immediately endeared her to the audience. Hepburn's natural charm and elegance shined through, making it easy to see why she became a beloved Hollywood icon and fashion inspiration for generations to come. Gregory Peck, who played Joe Bradley, had palpable chemistry with Hepburn which helped to create a romance that felt both genuine and bittersweet.

Rome itself became a character in the film, with William Wyler's direction and Frank F. Planer's cinematography beautifully showcasing the Eternal City's landmarks and charm. The on-location shooting added a layer of authenticity that transported me as a viewer to a magical day in Italy.

While some aspects of the film felt dated, such as its portrayal of Italians and lack of diversity, the core themes of independence, self-discovery, and the conflict between duty and personal desires remain relevant today Which, in the end made it easy to see why Roman Holiday has been regarded as a timeless classic.

Blink Twice

 

Zoë Kravitz's directorial debut, Blink Twice, is psychological thriller that stars Naomi Ackie as Frida, a struggling cocktail waitress who finds herself swept into the glamorous world of tech billionaire Slater King, played by Channing Tatum. The story unfolds as Frida and her friend Jess, played by Alia Shawkat, are invited to King's private island for what appears to be a dream vacation. However, as the serene getaway progresses, strange occurrences begin to unsettle Frida, forcing her to question the reality of her surroundings.

Blink Twice delves deep into issues of power dynamics, gender politics, and societal expectations placed on women. Kravitz's script, co-written with E.T. Feigenbaum, explores these themes through a thriller lens, drawing comparisons to Jordan Peele's Get Out mixed with vibes reminiscent of The Stepford Wives or Don't Worry Darling. The film didn’t shy away from addressing the absurdity of demands placed on women in society, including highlighting the pressure to smile through pain and the use of non-verbal communication when feeling unsafe.

While the plot was not entirely unique, Kravitz's direction infused the film with a fresh perspective and palpable tension. The movie's climactic scenes were particularly noteworthy for their brutal honesty and refusal to pull punches. She demonstrated remarkable skill behind the camera, creating a visually stunning world that slowly revealed a darker nature.

The casting was diverse and played well off of one another. Naomi Ackie delivered an outstanding performance as Frida, skillfully portraying a wide range of emotions as her character navigated the increasingly bizarre and threatening situation. Channing Tatum gave his best performance to date. He brought a charm and lethal coolness to the role of Slater King. The supporting cast shined as well; Adria Arjona as Sarah, a reality television celebrity who won "Survivor," and Alia Shawkat as Jess both deliver superb performances that showcase their impressive range and depth.

In the end, Blink Twice stood out as a testament to Kravitz's talent as a filmmaker, successfully blending elements of thriller, social commentary, and horror to create a compelling and thought-provoking experience. It's a film that not only entertained but also did a good job show showing viewers the uncomfortable truths about power, control, and the expectations placed on women in society.

Deadpool & Wolverine

 

Deadpool & Wolverine is the third installment in the Deadpool franchise and is its first venture into the Marvel Cinematic Universe (MCU), with Ryan Reynolds returning as the titular “Merc with a Mouth”, and Hugh Jackman, reprising his iconic role as Wolverine. The story kicked off when Deadpool's mundane existence is disrupted by the Time Variance Authority (TVA), who recruit him to help protect the multiverse.

The film was packed with references, Easter eggs, and cameos that spanned the entire history of Marvel cinema. These nods to the past were fun additions that felt organic. This premise cleverly tied the film to the broader MCU, particularly echoing themes from the Loki Disney Plus TV series. The pacing and constant stream of jokes kept me engaged throughout the 128-minute runtime. True to form, Deadpool & Wolverine did not hold back on its R-rated sensibilities. The film packed in vulgar humor, sexual innuendos, and over-the-top violence that fans of the franchise have come to expect.

Reynolds' Deadpool brought his signature wit and fourth-wall-breaking antics to new heights. The chemistry between Reynolds and Jackman was a highlight to the film. Their banter and odd-couple dynamic provided some of the film's biggest laughs. While Reynolds and Jackman were undoubtedly the stars of the show, the supporting cast held their own. Emma Corrin shone as the villainous Cassandra Nova, bringing a cold and calculating presence to counterbalance the heroes' chaotic energy. Matthew Macfadyen also impressed in his role as a TVA bureaucrat, adding a touch of dry humor to the proceedings.

In the end, Deadpool & Wolverine was a wildly entertaining, meta-filled adventure that managed to honor its roots as a unique, boundary pushing film in a more conservative MCU superhero landscape. It served as a love letter to Marvel fans and a satisfying continuation of the Deadpool franchise. While it may not have been for everyone due to its crude humor and violence, those who appreciate Deadpool's unique brand of chaos will find themselves thoroughly entertained.

Twisters

 

Twisters, is an action adventure disaster thriller starring Daisy Edgar-Jones as Kate Cooper, a meteorologist haunted by a devastating tornado encounter. Years later, she finds herself drawn back to the storm-chasing world by her friend Javi, played by Anthony Ramos.

 

This standalone sequel to the 1996 classic Twister, delivered an engaging and entertaining plot that paid proper homage to its predecessor. It felt relevant in many ways as a reflection of what a lot of people are going through in todays world. 

The film impressed with its well-executed CGI, creating believable and terrifying tornado sequences that kept me on the edge of my seat. They captured the awe-inspiring and destructive nature of these Barrel Grinders, providing the necessary thrills for a summer blockbuster. While Twisters occasionally fell into predictable patterns, it remained an engaging experience throughout. The movie successfully blended action, drama, and a touch of romance, creating a satisfying summer film that honored the original while also managing to carve out its own identity

The film made strides in diversity and representation, featuring a more diverse cast than the original. This inclusivity extended to the soundtrack, which notably highlighted Black Country artists, adding a fresh dimension to the movie's audio landscape. The cast played well off of one another. Edgar-Jones and Glen Powell, as Tyler, had great on-screen chemistry which was a highlight of the film. Anthony Ramos also delivered a strong performance as Javi, contributing significantly to the film's emotional core.

In the end, Twisters was an entertaining ride that, despite some flaws, delivered on the promise of big-screen thrills and nostalgic callbacks. With its strong lead performances, impressive visual effects, and increased diversity, the film proved to be a worthy addition to the disaster movie genre.

The Fall Guy

The Fall Guy is an action-comedy directed by David Leitch. It follows Colt Seavers, a stuntman, played by Ryan Gosling, who experienced a near-fatal accident and had to take a year away from the industry. Colt is then pulled back into the fray when the star of a major movie, Tom Ryder, played by Aaron Taylor-Johnson, goes missing. As he navigates through a complex web of dangerous encounters, Colt's journey becomes not just about finding Ryder but also about reconciling with his past.

At its core, The Fall Guy served as a love letter to stunt performers. Which makes sense as Leitch himself if also a stunt performer. The film showcased an array of impressive stunts that pushed the limits of what can be achieved on screen. As some critics have pointed out  some stunts may feel familiar, but there were plenty of unique moments that stood out and kept me engaged.

Even though this film followed a somewhat predictable structure typical of action comedies, it still managed to incorporate twists that kept me on my toes. The plot intricately weaved together themes of redemption, love, and betrayal.  The script exceled in its comedic elements and had a self-awareness on the film industry that also added a layer to its storytelling.

I thought that the entire cast did a great job playing off one another. It was a true ensemble of interesting and diverse characters. I appreciated the implementation of a number of strong female characters including Hannah Waddingham, who played Ryder's producer, Gail Meyer, Teresa Palmer who played Ryders girlfriend, Iggy Starr and Stephanie Hsu who played Ryder's assistant, Alma Milan. It was also nice seeing Winston Duke in a role outside of Black Panther. As for the stars, Gosling and Blunt, I found their dynamic to be quite refreshing. Even though Gosling has played a similar role before, he does have natural flair for humor. His interactions with Blunt, who played Jody, the film director, were filled with witty banter and genuine chemistry, making their relationship one of the film’s highlights. I also enjoyed how Blunt’s Jody was not portrayed as a damsel in distress but rather as an equal partner in the chaos surrounding them. 

Overall, The Fall Guy was an enjoyable cinematic experience for those seeking a lighthearted action-comedy. A proper homage to stunt work that was a comedic adventure filled with heart.

Rebel Ridge

 

Rebel Ridge is a Netflix produced action-thriller directed by Jeremy Saulnier. It follows former Marine Terry Richmond, played by Aaron Pierre, as he confronts the corruption of local law enforcement in the small town of Shelby Springs. When the police unjustly seize the cash he needs to post bail for his cousin, Terry finds himself embroiled in a fight against a corrupt system that goes far beyond his initial predicament.

I thought that the plot was engaging yet predictable and sometimes corny. The film’s premise echoed familiar themes seen in classics like Walking Tall, where one man stands up against systemic corruption.

Saulnier's direction showed a more restrained approach to violence that set Rebel Ridge apart from typical action flicks. Instead of relying on excessive bloodshed, the film emphasized hand-to-hand combat and strategic maneuvers. The action sequences were well-crafted, showcasing Pierre's martial arts skills without resorting to gratuitous violence.

Aaron Pierre delivered a strong performance as Terry, embodying a character that is both believable and likable. His portrayal captured the resilience and tactical intelligence of a man forced to navigate a treacherous legal landscape. Critics have noted that Pierre's calm demeanor contrasts sharply with the chaotic environment around him, making his character easy to root for. Don Johnson shined as Chief Sandy Burnne, providing a memorable antagonist with a weary yet sinister presence.

For a straight to video Netflix produced film it wasn't bad. If you're looking for a typical action-thriller with predictable themes and plot, Rebel Ridge might be worth your time.

A Quiet Place: Day One

 

A Quiet Place: Day One served as a prequel to the popular franchise, offering a glimpse into the chaotic early days of the alien invasion. Set in one of the loudest cities in the world, New York City, the film followed a group of survivors as they navigated a terrifying new reality.

The plot, while predictable, still managed to be quite suspenseful and kept me on the edge of my seats. And a poignant twist near the end added a touch of emotional depth to the narrative.

One of the film's strengths was in its diverse cast, which accurately reflected the multicultural nature of New York City. Lupita Nyong'o delivered a powerful performance as Samira, a terminally ill woman desperate to return home. Her portrayal of a character grappling with both the invasion and her own mortality was both heartbreaking and inspiring.

The addition of Frodo, played by two adorable cats, Schnitzel and Nico, provided a much-needed moment of lightheartedness in an otherwise dark and terrifying world. Their well-trained antics offered a welcome respite from the constant tension.

However, the film's biggest weakness was in its lack of character development for most of the supporting cast. With the exception of Nyong'o's Samira, the characters felt one-dimensional and forgettable. Djimon Hounsou's talent seemed underutilized, and it was difficult to truly connect with or care about the fate of many of the survivors.

While A Quiet Place: Day One was easy to follow and engaging, it didn’t quite meet the caliber of its predecessors. The lack of significant character development and the predictable plot made it difficult to fully enjoy.

Land of Bad

 

Land of Bad is an action thriller that follows a Delta Force team that gets ambushed in enemy territory, a rookie that refuses to abandon them, and a drone pilot who is their only chance of survival.

The casting was an Australian family affair with Liam and Luke Hemsworth along with fellow Aussie, Russell Crowe, leading the troops. They all had good chemistry and delivered competent performances. The film also benefited from a diverse cast, which was a welcome change of pace in the genre. However, the characters were largely one-dimensional, lacking the depth needed to truly connect me to the cast and keep me engaged throughout.

The action sequences were well-executed, but the overall narrative was hindered by tired tropes. The portrayal of Filipino villains as the primary antagonists was a disappointing and overused cliché.

In the end, Land of Bad was a decent action film that delivered on thrills but fell short on originality. While was entertaining enough for me as a fan of the genre, it won't be leaving a lasting impression.

The Book of Clarence

 

Jeymes Samuel's The Book of Clarence is a 1st century Jerusalem comedy-drama, that follows the opportunistic Clarence, played by Lakeith Stanfield, as he exploits the rise of Jesus Christ for personal gain.

Samuel’s directorial style is undeniably distinctive and unconventional. There were times that I thought it was quite similar to Spike Lee's cinematography work. However, this aesthetic occasionally veered into the realm of the corny.

The juxtaposition of a contemporary hip-hop soundtrack with the ancient setting was a bold choice, but may alienate some. I thought it was a stylistic gamble that paid off in moments, but overall felt inconsistent.

The film’s all-Black cast was a refreshing departure from the typical portrayal of biblical figures. This casting choice felt more authentic to the narrative, given the African roots of the biblical story. Moreover, The Book of Clarence cleverly mirrored contemporary issues onto the ancient world. The depiction of police brutality and the systemic oppression of Black people was relevant and appreciated.

Despite its flaws, the film was rich in symbolism and offered food for thought. While the narrative occasionally faltered, the performances were strong, and the visuals were undeniably captivating. In the end, The Book of Clarence was cinematic experience that pushed boundaries. Whether it's a masterpiece or a misstep is up for debate and a matter of personal taste.

A Family Affair

 

A Family Affair is a Netflix romantic comedy starring Nicole Kidman as a famous author who unexpectedly falls for her daughter's movie star boss, played by Zac Efron, with Joey King as the daughter caught in the middle of this unconventional romance.

The premise of an older woman falling for a younger man has been a welcome change in cinema, challenging societal norms and showcasing that older women can be desirable and sexy. This aspect of the film was commendable, as it contributed to an important shift in how mature women are portrayed in romantic roles.

While the plot was predictable and followed a familiar rom-com formula, it was easy to follow and generally enjoyable. The film's straightforward narrative provided a comfortable viewing experience for those seeking lighter entertainment. The only shortcoming was movie's attempts at humor, particularly its jabs at Hollywood culture, often fell flat.

The casting choices were a strong point of the film. Nicole Kidman, Zac Efron, Joey King, Kathy Bates, and Liza Koshy formed an ensemble that played well off each other, demonstrating good on-screen chemistry. However, the film could have benefited from more diversity in its cast. Additionally, character development for supporting roles was minimal, leaving some talented actors like Bates and Koshy somewhat underutilized. Additionally, Joey King's performance as Zara teetered between compelling and overacting, occasionally crossing the line into exaggeration. This inconsistency in her portrayal was distracting at times.

Despite its shortcomings, the film did have moments of genuine connection, particularly in the romance between Kidman and Efron's characters. Their on-screen chemistry was notable, providing some of the more engaging scenes in the movie.

In the end, A Family Affair was a cute but forgettable entry in the rom-com genre. While it offered some enjoyable moments and commendable performances from its lead actors, it ultimately failed to rise above its predictable plot and lack of real comedic punches. It's a passable option for those seeking light entertainment but fell short of being a standout in Netflix's romantic comedy offerings.

Red, White & Royal Blue

Red, White & Royal Blue is an Amazon Prime Video romantic comedy based on the New York Times bestselling novel of the same name. It follows Alex (Taylor Zakhar Perez), the son of the US President, and Prince Henry of Britain (Nicholas Galitzine), who initially dislike each other. However, when they clash publicly, they are forced to pretend to be friends for the sake of US-British relations. As they spend time together, their animosity turns into an unexpected spark.

The film expertly navigated a range of emotions with humor, drama, and heartwarming moments, keeping me hooked throughout. It explored coming as age themes like first love and embracing authenticity, offering much-needed LGBTQIA2S+ representation.

I appreciated seeing the diversity of the cast with Perez and Galitzine leading the way with captivating performances. Their undeniable on-screen chemistry made it easy to root for their characters. Perez shined as a leading man, showcasing his talent beyond previous roles, while Galitzine continued to impress with his charisma and range. Notable supporting performances came from Sarah Shahi as the no-nonsense deputy chief of staff, Rachel Hilson as Alex's blunt best friend, and Uma Thurman as the confident and loving first female US President, despite her questionable Texas accent.

The film's costume design was meticulously tailored, which enhanced the visual appeal and depth of the characters.

While not flawless, Red, White & Royal Blue was a breath of fresh air in the romantic comedy genre, offering an engaging, inclusive, and heartwarming tale of love and acceptance.

Purple Hearts

 

Purple Hearts is a Netflix produced, romantic drama starring Sofia Carson and Nicholas Galitzine. The film tackles the unlikely bond between Cassie, a passionate singer-songwriter and Luke, a troubled Marine who agree to marry for the financial and health benefits.

For me, even though the plot was predictable it still managed to be a heart-tugging journey. The film weaved in themes of addiction and the often-broken American healthcare system as well as forgiveness and rebuilding trust. Cassie's health struggles added another layer of complexity, showcasing the harsh realities of managing a chronic illness.

The soundtrack was a true gem. Carson as Cassie had a beautifully unique vocal range and edgy aesthetic that perfectly complemented the genera, making it one of the better soundtracks and performances I've heard and seen in a straight-to-streaming movie in quite a while.

Regarding casting, I found the diversity refreshing, and the development of even the minor characters, helped to add depth to the story. Carson and Galitzine shined as Cassie and Luke. Their undeniable chemistry made it easy to root for them, even in the worst of circumstances. Speaking of Galitzine, this is the latest in a string of impressive roles that I’ve seen of his, solidifying his position as a rising star to watch.

This film surprised me in the best way possible. Despite initial low expectations with it being a straight to video Netflix film, it delivered a charming story with strong performances and a soundtrack that lingered. It was a film that proved you shouldn't judge a book (or movie) by its platform. With its engaging characters, powerful performances, and a memorable soundtrack, Purple Hearts is a must-watch for those seeking a sweet romance wrapped around themes that resonate in today's world.

Civil War

Civil War is an action film set in a dystopian near-future America starring Kirsten Dunst, Wagner Moura and Cailee Spaeny. It follows a group of journalists as they fight their way through war-torn landscapes, in a heart-pounding race against time, to reach the White House.

Suspense hung heavy in the air as the journalists navigated battlefields and faced the potential collapse of democracy. The film served as a chilling cautionary tale, prompting viewers to consider the fragility of societal order.

While the story itself was timely and thought-provoking, it suffered slightly from a lack of backstory. A more detailed explanation of how America descended into this fractured state would have added depth. Likewise, some character development could have further strengthened the emotional impact.

Nevertheless, Civil War shined in its technical aspects. The cinematography was masterful, placing viewers right in the heart of the action. The creative use of camerawork, particularly from the perspective of the press, added another layer of realism.

The cast delivered strong performances, with Dunst particularly captivating as a hardened war photographer battling combat fatigue. Spaeny, who I also enjoyed in her film Pricilla, did a wonderful job as a more naive aspiring photographer. She is really one to watch with her fantastic range.

In the end, Civil War is a gripping journey through a dystopian America. While the film could have benefited from a stronger foundation and more fleshed-out characters, it remained a suspenseful and thought-provoking watch.

Irish Wish

 

Irish Wish is a Netflix romantic comedy starring Lindsay Lohan as Maddie, a book editor whose love life takes a backseat when her best friend gets engaged to the man of her dreams, Paul Kennedy, played by Ed Speleers. When all hope is lost, a magical wish lands Maddie in an alternate reality where she's the bride-to-be, but is this happily ever after or a recipe for disaster?

Unfortunately, the script fell flat. It was typical straight-to-video rom-com cheese with its corny dialogue and a predictable plot. While I did appreciated all of the diversity in the supporting cast, their characters remained largely one-dimensional. In this regard, Ayesha Curry, who played Heather, was still able to hold her own as Maddie's supportive friend. While not a standout performance, she delivered a steady and even-keeled portrayal that avoided distracting from the main characters. This is the first time I've seen Curry in a film, and it will be interesting to see if she pursues larger acting roles in the further.

The film's biggest charm came from Lohan herself who was likable and effortlessly stylish as Maddie, navigating the complexities of love and friendship. Both Speleers and James Thomas, who played a charming photographer, shared good chemistry with Lohan, which helped to make the central love triangle somewhat engaging.

Despite some shortcomings, the film still managed to offer some redeeming qualities. The stunning Irish scenery provided a beautiful backdrop, and the film championed themes of self-expression, following your dreams, and the importance of finding your voice.

With all that being said, Irish Wish was a predictable escape, perfect for anyone with a lighthearted rom-com craving. Just don't expect to be surprised by the plot or wowed by the acting.

The Idea of You

 

The Idea of You is a romantic comedy based on the debut novel of the same name by actress and author Robinne Lee. Starring Anne Hathaway and Nicholas Galitzine in an unlikely romance between a divorced mom, Solène, and Hayes Campbell, the charismatic lead singer of a popular boy band.

 

The film's greatest strength lies in its leads. Both Hathaway and Galitzine delivered captivating performances with palpable chemistry. Solène, played by Hathaway, was a testament to a woman's right to choose. She was beautiful, confident, and brave in her defiance of societal expectations. Hathaway's portrayal was a breath of fresh air, reminding us that love and desire have no age limit. Galitzine, a rising star with impressive range, shined as Hayes Campbell. Kind, firm in his convictions, and unwavering in what he wants, Hayes was a refreshing departure from typical heartthrob stereotypes. This is only the second project I've seen Galitzine in, and I'm eagerly anticipating his next.

The cinematography was beautifully cut as we are taken on a whirlwind of a love story though different sets and counties. The story itself was refreshingly unique, taking viewers on an emotional rollercoaster as Solène grapples with the pressures of an age-gap and the complexities of fame. The film tugs at the heartstrings, exploring themes of second chances and defying expectations.

Adding to its charm, the film boasts a welcome dose of diversity in its casting. However, the film missed an opportunity to fully explore these particular characters, leaving them feeling underdeveloped and one dimensional.

In the end, even with its flaws, The Idea of You still managed to deliver a heartwarming and engaging story. If you're looking for a charming romantic comedy, that will strike an emotional cord, this film is worth a watch or two.

Challengers

Challengers is a romantic sports drama starring Zendaya, Mike Faist and Josh O'Connor. The film follows Tashi, played by Zendaya, a former tennis prodigy turned coach, who is laser-focused on one thing: winning. When her husband Art, played by Faist, a champion she molded, falls into a slump, she throws him into a low-level tournament where he faces Patrick, played by O'Connor, Tashi's ex-boyfriend and Art's former best friend. This sets off a steamy love triangle loaded with repressed desires and past baggage.

Zendaya aced her first leading role in a film. She was able to successfully portray a woman who was ruthless in her pursuit of victory, and her frosty demeanor made it clear that anything less was a personal failure. Her performance was the heart of the film, perfectly capturing a woman driven by a singular passion. I also thought that her costumes were beautiful and a perfect paring for her character. Supporting performances by Faist and O'Connor were equally strong, which helped to create a palpable web of sexual tension and unspoken desires that fueled the film's emotional core.

I could see some themes of repressed longing that were similar to what director Luca Guadagnino tackled in his acclaimed film Call Me By Your Name. The muted LGBTQ+ subplot added a layer of intrigue and was a welcome step towards more nuanced representation, even if it didn’t receive full exploration. Representation in mainstream media is crucial, and despite its shortcomings, Challengers offered a glimpse of questioning or potentially bisexual characters navigating complex relationships.

Unfortunately Challengers stumbled with its storytelling. The narrative was a confusing volley of flashbacks that disrupted the flow of the story. Guadagnino's stylistic cinematography choices, like filming from the players' perspectives during matches, was more disorienting than engaging. And the techno-heavy soundtrack also felt like a strange choice with the film's overall mood.

Despite these narrative stumbles, Challengers did not entirely disappoint. The central trio's chemistry was undeniable, and the exploration of ambition, desire, and the price of victory was thought-provoking. If you're a Zendaya fan, this film might be worth a watch. Just be prepared for some uneven editing and a soundtrack that might leave you reaching for the mute button.

Good Grief

 

Good Grief is a Netflix rom-com drama marking Daniel Levy’s film directorial debut. He also wrote, produced and started in this film that follows Marc, played by Levy, who must grapple with overwhelming grief after the sudden death of his husband. Seeking solace and a fresh start, he embarks on a soul-searching trip to Paris with his two best friends. This Parisian adventure becomes a catalyst for growth and self-discovery, as the group confronts hidden truths and redefines their bonds.

The plot was heartfelt and engaging. Though not focused on Christmas, it interestingly folded during the holiday season, offering a unique perspective on loss amidst a time typically filled with cheer. Levy was able to tell a beautiful and creative story that skillfully blended humor and heartbreak, offering a realistic portrayal of grief's messy reality. He was able to masterfully navigated themes of love, loss, healing, trust, and the power of friendship.

The Parisian setting added a touch of elegance, without overshadowing the film's emotional core which was undeniably reinforced by the exceptional performances of its diverse cast. Levy delivered a powerful portrayal of Marc, showcasing a depth we haven't seen before in his comedic roles. His vulnerability and raw grief resonate deeply, allowing viewers to connect with his character's journey. Ruth Negga and Himesh Patel shined as Sophie and Thomas, Marc's best friends. Their portrayals perfectly captured the complexities of their bond. The mix of unwavering loyalty, gentle humor, and a deep understanding of Marc's pain were on full display. The chemistry between Levy, Negga, and Patel was undeniable, creating a profound sense of friendship that felt genuine and supportive. Adding another dimension to the film was Luke Evans as Oliver, Marc's late husband. Evans portrayal of Oliver was larger-than-life, even in flashbacks. We see the love and affection Oliver shared with Marc, leaving a void that made Marc's grief even more profound. The dynamic between Levy and Evans was particularly well-played, showcasing the deep love and respect they shared as a couple.

Overall Good Grief was a powerful debut from Daniel Levy, showcasing his talent not just in front of the camera, but behind it as well. The film delved deep into the emotional depths of grief with relatable characters that were beautifully portrayed by a stellar cast. If you're a fan of Levy's work and appreciate a film that tackles difficult themes with humor and warmth, then Good Grief is definitely one to check out.

After Everything

 

After Everything is the concluding chapter in the After franchise, The film tackles Hardin's struggles with writer's block and self-discovery. With Hero Fiennes Tiffin, Josephine Langford and Stephen Moyer reprising their roles and Mimi Keene as a fresh new addition.

The plot was engaging and easy to follow with the focus on Hardin’s personal journey marking a welcome change, showcasing a more mature side to the character. I felt like, unlike its predicators which I have described as intensely charged, overly dramatic, and a culprit of romanticizing an unhealthy relationship, this one was much more even keeled. The addition of Nathalie, played by Keene, added a fresh and new dynamic to the story as well. She provided Hardin with a source of support and encouragement. However, the script faltered at times, resorting to familiar tropes and occasionally falling into corniness.

I enjoyed seeing this ensemble cast reunited once again and have always appreciated the diversity of this group. Unfortunately, like the quality of previous films, the acting remained uneven, with some of the supporting actors failing to deliver convincing performances.

One undeniable strength of the After franchise has always been its music. After Everything continued this tradition with a strong soundtrack that complemented the emotional beats of the story.

As I’ve said before, these films have never made me want to watch them a second time. After Everything is no different however I will say that it provided a satisfying conclusion for those invested in Hardin and Tessa's journey. It offered a sense of closure, with Hardin finally taking steps towards personal growth.

Rebel Moon – Part Two: The Scargiver

 

Rebel Moon: Part Two - The Scargiver is the follow-up to Zack Snyder's sci-fi epic, picking up where Part One left off. The rebels on the colony of Veldt prepare to face the full might of the tyrannical Regent Balisarius' forces.

While the plot remained somewhat predictable, it delivered a more engaging and suspenseful experience than its predecessor. Even though Rebel Moon: Part Two doesn't quite recapture the brilliance of Snyder's best work, Man of Steel, it improved upon the first film's shortcomings. My only critique is the lack of a fresh villain was a missed opportunity. Reprising the antagonist from the first film felt uninspired.

Snyder's signature visual style returned in full force with its sweeping camera angles, slow-motion battles, and dark color palette were all present. While impressive, these elements don't quite reach the same level of quality as its inspiration, Star Wars.

The acting was noticeably better in Part Two. The returning cast seemed more comfortable in their roles, delivering more nuanced performances. The increased character development also helped with a stronger connection to the protagonists. My only issue was the overuse of monologues was tedious at times. A tighter script would have improved the pacing.

Overall, Rebel Moon: Part Two - The Scargiver was a modest improvement over its predecessor. It offered more character development, suspense, and a more satisfying conclusion. However, the predictable plot, overreliance on monologues, and a lack of a truly compelling villain prevented it from reaching its full potential. The film set the stage for a potential third installment, but I really don’t have an interest in seeing it.

Rebel Moon - Part One: A Child of Fire

 

Rebel Moon - Part One: A Child of Fire is a science fiction action adventure that follows a ragtag group of rebels, led by a mysterious young woman, that unite against a tyrannical ruler. Directed by Zack Snyder, starring Sofia Boutella, Djimon Hounsou, Ed Skrein, Michiel Huisman, Doona Bae, Ray Fisher, Charlie Hunnam and Anthony Hopkins.

Snyder's signature touch was undeniable in its slow-motion fight scenes, dramatic camera angles, and a dark color palette that dominated the film's aesthetic. While the vision was there, some scenes felt more like attempts to shock and awe than organic parts of the narrative.

The plot borrowed heavily from classic sci-fi tropes. Drawing much of its inspiration from Star Wars, which was evident in everything from spaceship designs to costuming. However, the execution felt like a lower-budget homage, with some sets appearing overly reliant on CGI and lacking the lived-in quality of its inspiration. Additionally, there was a decent twist, but for the most part, the story unfolded predictably.

The inclusion of a diverse group of actors was commendable, and the focus on strong female characters was a welcome change from the genre's typical focus on male heroes. Doona Bae who played Nemesis was strong and maternal with impressive fight sequences. Ray Fisher, aided by effective makeup and costuming, delivering a standout performance as Darrian Bloodaxe, which was both surprising and captivating. However, the acting and character development overall was uneven, failing to fully elevate the script's potential.

In the end, Rebel Moon's visuals and an intriguing cast couldn't make up for its lack of character development and predictable and unoriginal plot. Fans of Snyder's style might find themselves entertained, but those seeking a fresh and innovative space adventure might be left wanting more.

Dream Scenario

 

Dream Scenario is a black comedy, fantasy from director Kristoffer Borgli, The story revolves around a professor who mysteriously appears in people's dreams. Starring Nicolas Cage, Julianne Nicholson, Michael Cera, and Tim Meadows.

The plot was intriguing with its themes around social commentary, particularly on the dangers of "cancel culture" and the bendability of reality under the influence of dreams. This blend of the fantastical with social critique was a bold choice, but the film ultimately couldn’t fully capitalize on its possibilities. It stumbled in its execution leaving a number of unanswered questions. The central mystery of why Paul, played by Cage, appears in dreams and the true consequences of these dream experiences are left frustratingly vague. This lack of resolution makes the film feel incomplete and unrealized in its potential. Ultimately, it left me feeling like I wasted my time. Additionally, humor, which should be a key element in black comedy, was a weak point. The film struggled to elicit many genuine laughs, despite its unique premise.

Nicolas Cage delivered a characteristically eccentric performance. While I did find it awkward, it somewhat fit the tone of the film. The supporting cast, including Julianne Nicholson, Michael Cera, and Tim Meadows, were all solid, even if their characters lacked depth. For me the biggest disappointment was Meadows' one-dimensional portrayal of the college dean as he was one of only a handful of minorities with a speaking part.

Overall, Dream Scenario’s unique concept was overshadowed by underdeveloped characters, a lack of comedic bite, and a frustratingly ambiguous ending. For viewers seeking a truly innovative and thought-provoking film, Dream Scenario might fall short.