Saturday, May 9, 2026

The Devil Wears Prada 2

The Devil Wears Prada 2 is a comedy-drama sequel that reunites Andy Sachs and Miranda Priestly, twenty years later, as they navigate a modern media landscape defined by scandals and the decline of print magazines.

While it was wonderful to see the original cast back together, the film often came across as nostalgia bait. Having Anne Hathaway, Meryl Streep, Stanley Tucci, and an especially great Emily Blunt reprising their roles was a treat, and the additions of Simone Ashley, Lucy Liu, and Kenneth Branagh brought some fresh energy.

The plot was easy to follow, but ultimately landed as predictable and a bit lazy, relying on a nearly identical narrative structure and several deliberate callbacks to the original. The core conflict shifted from Andy's personal discovery to a focus on institutional survival, and some of the themes around "loving to work" bordered on toxic. The film effectively praised working late hours and neglecting self-care or family time as if those were virtues, even though that lifestyle is completely unsustainable. It also struck me as pretentious, attempting to preach about the vital importance of journalism while exclusively focusing on the elite world of haute couture. There was an attempt to push for body positivity, but it seemed like a hollow gesture since it didn't really go beyond a brief cameo from Ashley Graham.

There were some funny moments and very obvious digs at Jeff Bezos and Lauren Sanchez that landed well, but the fashion and soundtrack just weren't as iconic as the first film. Even with a few recycled lines and repurposed outfits, the movie lacked the spark that made the original a classic.

I also had mixed feelings regarding the casting. While it was great to see Tracie Thoms return as Lily and Simone Ashley join the cast as Amari, they appeared a bit underutilized. Both actresses were incredibly capable in their roles, but they served more as plot devices than fully realized people; it would have been nice to see them have lives and goals outside of just supporting the leads. My main issue, however, stemmed from the representation of the other Asian American characters, most of whom fell into one-dimensional, tired stereotypes.

In the end, this film isn’t one I’d recommend one rush to see. It was a decent watch for the fans, but it leaned too heavily on the past rather than carving out a new future.

Friday, May 1, 2026

Cherry

Cherry is a crime drama directed by the Russo brothers, based on Nico Walker’s semi-autobiographical novel. It stars Tom Holland as an army medic who returns from Iraq with PTSD and spirals into addiction and crime.

While the lead performances from Holland and Ciara Bravo, as Emily, were strong, there just wasn't enough diversity or character development to make me truly care about the outcome. While some might see the relationship between Cherry and Emily as toxic, to me, it felt more like two people with low self-esteem being easily influenced by their circumstances.

The storytelling felt a bit thin, and the plot definitely started to lose me about two-thirds of the way through. I found myself checking the time frequently. The film relied heavily on a soft-lighting look early on that felt almost fake, and the quick, Marvel-esque cuts made the war sequences feel crisp but lacked the true heaviness you would expect from a war movie. It felt like a very anti-military film, highlighting a toxic environment where rank is valued over ideas, and it critiques a failing healthcare system that treats deep trauma with temporary fixes.

Even though the movie spans twenty years, some of the aging choices, like giving Holland a mustache, felt a bit silly. It also struggled with that common Hollywood obsession with portraying prison as the only path for rehabilitation for people with PTSD.

Overall, the story wasn't particularly unique, and the directing felt like a bit of a nepotism project where the Russo brothers and Holland just wanted to work together again post-Avengers without a fully fleshed-out idea. It really lacked the grit needed for such a serious subject.