The Devil Wears Prada 2

The Devil Wears Prada 2 is a comedy-drama sequel that reunites Andy Sachs and Miranda Priestly, twenty years later, as they navigate a modern media landscape defined by scandals and the decline of print magazines.

While it was wonderful to see the original cast back together, the film often came across as nostalgia bait. Having Anne Hathaway, Meryl Streep, Stanley Tucci, and an especially great Emily Blunt reprising their roles was a treat, and the additions of Simone Ashley, Lucy Liu, and Kenneth Branagh brought some fresh energy.

The plot was easy to follow, but ultimately landed as predictable and a bit lazy, relying on a nearly identical narrative structure and several deliberate callbacks to the original. The core conflict shifted from Andy's personal discovery to a focus on institutional survival, and some of the themes around "loving to work" bordered on toxic. The film effectively praised working late hours and neglecting self-care or family time as if those were virtues, even though that lifestyle is completely unsustainable. It also struck me as pretentious, attempting to preach about the vital importance of journalism while exclusively focusing on the elite world of haute couture. There was an attempt to push for body positivity, but it seemed like a hollow gesture since it didn't really go beyond a brief cameo from Ashley Graham.

There were some funny moments and very obvious digs at Jeff Bezos and Lauren Sanchez that landed well, but the fashion and soundtrack just weren't as iconic as the first film. Even with a few recycled lines and repurposed outfits, the movie lacked the spark that made the original a classic.

I also had mixed feelings regarding the casting. While it was great to see Tracie Thoms return as Lily and Simone Ashley join the cast as Amari, they appeared a bit underutilized. Both actresses were incredibly capable in their roles, but they served more as plot devices than fully realized people; it would have been nice to see them have lives and goals outside of just supporting the leads. My main issue, however, stemmed from the representation of the other Asian American characters, most of whom fell into one-dimensional, tired stereotypes.

In the end, this film isn’t one I’d recommend one rush to see. It was a decent watch for the fans, but it leaned too heavily on the past rather than carving out a new future.